What Are The Sochi Olympics Warning Us About?

To give you a bit of background on the modern Olympic games, it should first be said that they were revived by a famous Freemason by the name of Baron Pierre de Coubertin. He wished to revive the classical Hellenistic Olympiad in an attempt to unify the participant nations at the time (Australia, Austria-Hungary, Bulgaria, Chile, Denmark, France, Germany, Great Britain, Greece, Italy, Sweden, Switzerland, and the United States of America), in a grand-scale international sporting competition. He fashioned the five-ring logo and flag after the common flag colors of the original 14 countries (including the white background), and to represent the 5 continents of participating nations. Blue for Europe, yellow for Asia, black for Africa, green for Oceania and red for America. Seems a bit racist, no? Pierre de Coubertin’s Masonic roots are immortalized in his statue at Atlanta’s Centennial Olympic Park, USA:

In this monument, the sacred stepped Egyptian pyramid is referenced in the form of a Masonic structure with 3 steps (like the Mortuary Temple of Hatshepsut that Bruno Mars honored, during his XLVIII Super Bowl performance). The 3 steps symbolize the ancient Three Steps/Craft Degrees of Masonry: Apprentice, Fellowcraft and Master Masons. We see de Coubertin ascending to the second step, which implies he has fulfilled his Apprenticeship Degree. The Apprentice Degree is symbolized by ascension, orientation toward the Light, development of the Craft to spiritual manhood, and the building of character to improve society and to perfect human nature. These traits were all present in his quest to unite the world in a peaceful celebration of human perfection, based upon the ancient rituals and mystery religions of the Olympiad. The two columns on either side of Pierre de Coubertin stand for the Masonic pillars of Boaz and Jachin, which are appropriated from the two pillars in the Temple of Solomon, and are present in every Masonic Lodge today. Doves above de Coubertin’s five-ring vesica piscis logo symbolize peace, while embodying the crucial Freemason aim towards purity and divinity. Note that there are 7 doves and 5 rings, which add up to the sacred ancient number of 12. The J.J. Crowder Masonic Lodge website states: “…the number twelve denoted completion.  This sign arose from the twelve signs of the Zodiac being a complete circle and the twelve edges of the cube being a symbol of the earth.  The number twelve denoted fulfillment of a deed, and was therefore an emblem of human life.” Mackey’s Encyclopedia of Freemasonry describes the number twelve’s revered significance as both spiritual, and as “being composed of the mystical numbers 7 + 5 or of 3 x 4, the triad multiplied by the quaternion, a number of considerable value in ancient systems.” These numbers are crucial in Illuminati and Occult symbolism as well, which have been examined in previous posts. Baron Pierre de Coubertin removes his hat, and ascends to the final Master Third Degree, to honor the completion of his life’s ambition, and to forever influence international ritualistic sports with Masonic icons.

What’s so bad about all that?

Unfortunately — thanks to the Masonic origin of modern Olympics — the summer and winter Olympic games have begun to exhibit more-than-flagrant Illuminati and Masonic symbols. This is not meant to confuse Illuminati with Freemasonry, as the two are different, and do not always intertwine. Not all Masons are Illuminati members, as not all Illuminati practice Freemasonry. Masons tend to believe themselves the keepers of ancient elitist, patriarchal traditions, and claim to rule the esoteric secrets to ultimate and divine power. The Illuminati usually personify globalist idealists, political puppet masters, corporations, banks, industries, they are even believed to practice Occult/Luciferian rites, and mind control techniques. However, both play crucial roles in the shaping of our world’s economic, social and cultural future; so, their combined symbolism often permeates popular media, sports, politics and entertainment.

To revisit some Illuminati and Masonic Olympic imagery: the Athens 2004 mascots were pyramid-looking dolls, and embodied Masonic wisdom and superiority as Athena, as well as the Illuminati idea of Apollo’s enlightenment, as Phevos. Turin’s 2006 mascots, Neve and Gliz, were blue and red encoded Masonic symbols of “squaring the circle.” The 2008 Beijing Fuwa “good luck dolls” mascots were tied to a series of sinister superstitions and natural disasters in China; and became known as Wuwa, meaning “witch dolls.” Recall the London 2012 Olympic mascots? They were essentially billboards for Illuminati mind-controlled duality and Big Brother surveillance in England, as Wikipedia explained: “Their skins are made of highly polished steel allowing them to reflect the personalities and appearances of the people they meet. Their one eye is a camera…”   The Vancouver 2010 mascots resembled three-horned hybrid-mutant abominations, rather than the very spiritual First Nations deities they were supposed to portray.

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This year’s Olympic mascots are a bear, a leopard, and a hare; and some speculate the bear resembles the current ruling government’s mascot, the United Russian Party. The leopard is symbolic of “cat” programming, and Occult imagery; whereas the hare embodies a “trickster” and the idea to “follow the white rabbit” down the rabbit hole. Subliminal messaging to inspire patriotism, political allegiance, and blind trust in the “trickster” government are not a far stretch, considering the multitude of Illuminati symbols in other sporting events. Accidental “glitches” are also not an uncommon sight at multimillion dollar productions like the Olympics. However, after having examined the prevalence of Illuminati and Masonic symbolism during major sporting events, I find it hard to believe that “glitches” are simply accidents. The Olympic opening ceremonies are a worldwide television event, which creates the unique opportunity for TPTB to publicize their NWO agenda. The “epic fails” of Sochi’s Olympic ceremony have been top trends on social media since the opening on Friday, February 7th, 2014. The 2010 winter Olympics ceremony in Vancouver experienced a similar mishap, as a giant metal pillar malfunctioned, lighting only 4 flames, rather than 5. Interestingly, the pillars did not fail to form a giant pyramid with a three-horned fiery facade (another Illuminati Baphomet sign). As participants in white enclosed it, they recreated the sacred Masonic principle of “squaring the circle.”

According to Mackey’s Encyclopedia of Freemasonry: “Four is the tetrad or Quaternary of the Pythagoreans, and it is a sacred number in the advanced Degrees. The Pythagoreans called it a perfect number, and hence it has been adopted as a sacred number in the Degree of Perfect Master. […] Among the Pythagoreans, five was a mystical number, because it was formed by the union of the first even number and the first odd, rejecting unity; and hence it symbolized the mixed conditions of order and disorder, happiness and misfortune, life and death. The same union of the odd and even, or male and female, numbers made it the symbol of marriage. […] it was the symbol of their quintessence, the fifth or highest essence of power in a natural body. In Freemasonry, five is a sacred number, inferior only in importance to three and seven. It is especially significant in the Fellow Craft’s Degree, where five are required to hold a Lodge, and where, in the winding stairs, the five steps are referred to the orders of architecture and the human senses. In the Third Degree we find the reference to the five points of fellowship and their symbol, the five-pointed star.” The five-point star, or pentagram, is a powerful Occult Illuminati symbol as well, emblematic of the 5 “quintessential” sacred elements, and the demonic head of Baphomet. We see both the ancient pentagram, and the inverted Occult star, concealed in a promotional Russian music video, celebrating Sochi’s Olympic nomination in 2007. We see the stars 3 times, along with an ice brick wall, honoring the ancient Masonic Crafts:

All these images seem a bit odd, coming from Russia, due to its long history of Illuminati opposition. Nonetheless, monuments, churches and government buildings contain dozens of Masonic and Illuminati images in Russian major cities. Since the 18th century, Freemasonry has remained a preferred membership club for Russian elites, which makes it difficult for someone in the West to determine Russia’s position in the NWO. Putin stands as an anti-NWO, anti-Illuminati patriot, while he and Medvedev allegedly plot the opposite alongside TPTB. The topic is quite controversial, because Putin has been known to speak out against New World Order plans, and supposedly ousted the Illuminati from Russia. That all sounds extremely inspirational, but why do Western banks still own Russian finances and investments? Why do Putin and Medvedev consistently meet with the Illuminati war criminal Henry Kissinger? Why does the Russian economy suffer, as its major cities bask in foreign-endorsed splendor, but rural populations live in poverty? Maybe Putin is, in fact, taking small steps to redefine the totalitarian grasp of Illuminati G-7 and G-20 superpowers in the global economy. Or, he may be simply playing the “trickster” white rabbit role in the economic, political, and sociocultural global divide, deemed necessary for the NWO (and even maybe WWIII) to begin. “Follow the white rabbit”, right, Neo?

BRICS (Brazil, Russia, India, China, and South Africa) are seen as the Illuminati opposition, and as you may have heard, are moving closer to creating a new, conglomerated superpower of 5 nations. Independently, these countries are heavily reliant on foreign aid, due to their unstable infrastructure, corruption, etc. Together, however, BRICS may be able to create a rift in the Western-controlled global economy, to establish new policies, banks and economic partnerships. “The collective GDP of the four leading developing countries (the BRICs–Brazil, Russia, India, and China) is likely to match that of today’s leading Western nations by 2032. The World Bank predicts that the U.S. dollar will lose its global dominance by 2025 as the dollar, euro, and China’s renminbi become co-equals in a ‘multi-currency’ monetary system.” says Charles A. Kupchan in The Atlantic, while Reuters predict BRICS will be the leading global economies by 2050. Allegedly, the master plan is to destabilize the dollar, and overpower the USA and EU in the global marketplace. That should worry the West, as the unification of the “developing” world in financial and economic partnerships creates opposition to the EU, NAU, NATO, TTIP, TPP, CETA, NAFTA, GCC, ACTA and GATS plans for global domination. The question is, will all these existing international partnerships allow BRICS to succeed?

If they do, the world will physically be divided in the sacred Illuminati aspect of duality. Does this mean the NWO will be easier to execute? Would this global segregation cause both internal and multinational conflicts for participating nations? The Illuminati push for grand-scale depopulation; so, joining the Western world against 5 nations with massive populations, would aid their cause. One thing is certain, and it is that both the “Big Five” BRICS nations, as well as the other economically, financially, or politically allied countries, are all overrun by Freemasons and Illuminati members. China joined the globalist Illuminati in the 1970s, Brazil are supporters of the Illuminati Bolivarian Movement (after Simon Bolivar, who wanted a unified Hispanic South America), India is adopting Illuminati lifestyle and entertainment brainwashing schemes, while some South Africans claim Illuminati killed Nelson Mandela to make way for the NWO. Russia may, in fact, be urging the world to descend down the rabbit hole with them, in order to manifest the globalist regime. Therefore, regardless of which side of duality you’re on, they are all playing on the same team.

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That being said, the infamous Olympic ring “glitch” of the Sochi opening ceremony might be charged with political slander and Illuminati messages. As I mentioned, to Freemasons, four is a perfect, sacred number; while the Illuminati use it as a number of foundation. The Rosicrucian interpretation for this is: “The number 4 is represented by the square. Four is not 4 times 1, but is a complete number in itself — firmness, a good foundation, the law, or ground, upon which to build strongly, permanently and uprightly.” Four to the Illuminati embodies the world, completion, repetition, cognition, realization of power, renewal, and instinctual knowledge. In the New World Order, 4 symbolizes an empire, as it is the number of systematic order and management. This year marks the 22nd Winter Olympics, which also conceals the 2 + 2 sum of 4.

Could it be that Russia is telling the rest of the world that they are ready to build, gain power, realize their potential and form a NWO empire? The red Olympic ring, which failed to open during the opening ceremony, represents America. This glitch was the most talked-about incident in social media circles, which gave Russia and TPTB the perfect exposure for the following message: “America will not succeed.” This symbolism is perfectly aligned with the BRICS plans for the dissolution of the dollar, in order for them to rise as dominant global superpowers. Many conspiracy theorists claim that the American Constitution and Bill of Rights, are major reasons for the delayed implementation of a one-world “new order” government. However, the gradual violation of these rights, along with America’s continuous failures to abide by their own Constitution, are slowly turning the population (and the world) against the US government. Anarchy, revolution, destabilization of government, financial and economic crises, and the dissolution of the dollar, are perfect opportunities for the formation of the North American Union, and the NAU’s alliance with NWO principles. The same can be said for the Middle Eastern countries (who either don’t belong to, or have issues within the Gulf Cooperation Council and League of Arab States), whose internal and international struggles will soon push them into political and economic unions, as well. Therefore, it is apparent that the deposition of current global superpowers is more than necessary for the rise of a New World Order. The Olympic ring message is not necessarily anti-American, but rather pro-globalist-Illuminati. The meaning behind the Olympic mascots, and the Olympic ring mishap, is one of reassurance that everything is going according to TPTB’s master plan.

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Here is something else to consider from the XXII Winter Olympic Games. Athletes, who win gold on February 15th in Sochi, will be rewarded with gold medals made of Chelyabinsk meteor fragments, exactly one year after the meteor plunged into Chebarkul Lake in the Ural Mountains.

Notice all the angular diamond and pyramid-type structures in the medals’ design. This seems ritualistic in nature, and could harbor some mystical, rather than political elements. CBC‘s intro to the Sochi live broadcast features an image with multiple pyramids, formed into a sphere, which consequently explode into many shards. This fragmentation is very reminiscent of a meteoric impact, while the spheres also reference the subterranean metallic cauldrons in Yakutia, Siberia, at Uliuiu Cherkechekh, or the “Valley of Death.”

Russia has been home to some of the biggest impact sites of meteors, asteroids, or other unidentified extraterrestrial bodies (like the Tunguska event and Patomskiy crater). Many of these craters are still mildly radioactive, such as the Valley of Death cauldrons/domes and the Chelyabinsk meteor underwater crash site. Is it possible, that CBC‘s images depict a connection between these mysterious cauldrons, meteor crashes, and radioactivity? Take a look at the 6-pointed star pyramidal formation behind the athletes’ heads. The gold pyramids are purposely reorganized, but do you not automatically see the radioactivity symbol, enclosed within a hexagram?

The hexagram is an incredibly old Masonic and Illuminati symbol, as well as an ancient representation of the mystical “as above, so below” principle, which still used in Occult practices today. Hexagrams are hidden in hundreds of Illuminati and Masonic structures, logos, and other images, like the US dollar bill, the Israeli Zionist flag, etc. The hexagram is an old Bavarian Illuminati symbol, as the Freemason Mayer Amschel Bauer changed his name to “Rothchild”, due to the six-pointed red shield (resembling a modified Star of David) on his door. In 1995, Dr. Kitty Little claimed the Rothchilds currently control 80% of the world’s uranium supplies, which gives them a monopoly over nuclear power. Are the CBC supporting the Rothchilds’ Illuminati dominion over nuclear power? Could this also be a message by TPTB that there is a pending nuclear war for Israel? Or is it simply a warning to unsuspecting viewers that the recent Fukushima disaster will fulfill Illuminati’s depopulation plans, due to radioactivity in the world’s oceans? Or are the nuclear hexagrams and pyramid sphere formations in CBC‘s intro, affirming that the Illuminati’s have answers about the radioactive craters and cauldrons in Russia?

Steve Jackson Games’ controversial Illuminati card game depicts two cards that both pertain to Russia and this year’s Olympics: the Meteor Strike and Combined Disasters cards.

 

The diamond-shaped meteor can also be seen in the design aspects of CBC‘s Olympic coverage intro, as well as in the medals (which contain meteor fragments), while the Combined Disasters card suspiciously resembles the Sochi clock tower:

Architectural aspects of Sochi’s clock tower are nearly identical to those of the falling tower in the Illuminati game card. The clock in the Combined Disasters card points to 11:11, another sacred Masonic and Illuminati number, which adds to 22. The XXII Olympic winter and summer games were both held in Russia: Moscow in 1980 and Sochi in 2014. So, what are all these messages telling us? Are these signs preparing us for something disastrous? A nuclear war, or WWIII? Nuclear war because of Israel? A terrorist attack, or natural disaster at the Olympics? The rise of Russia as an Illuminati superpower through BRICS? Another meteorite crash, or a reveal of the subterranean Siberian cauldrons? Maybe athletes, who receive medals with meteor shards, will aid in the Illuminati transhumanist agenda, by unknowingly altering their biochemistry, neurology, physiology and electromagnetism, through the space rock’s radioactive influence. These strange hidden symbols and disconcerting coincidences pose too many questions and cannot yet provide concrete answers. All of the above are very plausible outcomes of the covert warnings within this year’s Olympic broadcasts so far. Russia is sending a stern statement to the rest of the world that they are ready, able and willing to fulfill the New World Order. The earth’s athletes are joined in a Masonic competition of greatness to display the divinity of mankind, and TPTB see such events as the perfect opportunity, to carry out more sinister plans behind the scenes. The NWO may be much closer than it appears. People across the world are realizing that they live in fake democracies, even fake dictatorships, because rulers in power all have the same goals: total domination via subservience to the Illuminati and Masonic elite. Russia hosting the Olympics is no accident, and maybe the Western world should start paying attention to the development of Eastern future superpowers. Only time will tell what all this means, and I will be sure to update this post, if I come across more suspicious information during the Olympic festivities.

As always, please don’t hesitate to challenge any of the opinions within this post, think critically and draw your own conclusions. Keep your eyes and minds open!

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Web Sources:

http://www.youtube.com; http://www.wikipedia.org; http://www.mastermason.com/jjcrowder/threedegrees/threedegrees.htm; http://www.sacred-texts.com/mas/dun/dun04.htm; http://www.freemasons-freemasonry.com/larsonwilliam.html; http://www.deathandtaxesmag.com/214620/a-complete-guide-to-sochi-olympics-mishaps/; http://www.theguardian.com/sport/2014/feb/07/sochi-2014-winter-olympics-opening-ceremony-live; http://masonicdictionary.com/numbers.html; http://helpfreetheearth.com/news565_numbers.html; http://atruthsoldier.wordpress.com/category/illuminati-playing-cards-photos/; http://www.utaot.com/2013/02/27/scientists-prove-ancient-alien-cauldrons-in-siberia-are-real/; http://www.forteantimes.com/features/fbi/2800/valley_of_death.html; http://www.reuters.com/article/2009/06/10/bric-idUSSP31967220090610; http://www.theatlantic.com/business/archive/2012/02/the-world-in-2050-when-the-5-largest-economies-are-the-brics-and-us/253160/; http://blog.redefininggod.com/2013/10/24/the-new-brics-financial-system-what-theyre-not-telling-you.aspx; http://greatgameindia.wordpress.com/2013/04/14/the-rothschild-colonization-of-india/; http://www.planetization.org/rothschild.htm

Super Bowl XLVIII Commercials: Perpetuating the Illuminati Agenda

After examining the myriad of Illuminati and Masonic elements within Bruno Mars’ Halftime Show performance, I would like to highlight some of the signs, hidden in the exclusive Super Bowl XLVIII commercials. The more I learn about the Illuminati’s Satanic affiliation, I become more convinced that the many esoteric and Luciferian messages in popular media, are not put there by accident. Rather than examining these topics through a religious lens, we can equate the evil in these symbols to “selling one’s soul” not to a literal Devil, but to the Illuminati corporate, financial and economic control over the world. Maybe that’s what the Illuminati’s Satanism represents today. But why all the Luciferian motifs? If it is true that the Illuminati believe themselves to be descendants of the fallen angels of Lucifer — and their 13 families share Biblical bloodlines — then the obscure symbols, appropriated into modern media, are derived from a long tradition of esoteric mysticism. Is it possible that such practices still exist today? To reiterate from my last post: “…February 2nd celebrates the Satanic ritual of Candlemass. Candlemass constitutes Lucifer’s illumination of the world — through the ceremonial lighting of candles from Baphomet’s torch — and opens a new breeding season for domestic and wild animals. Candlemass also observes the mass initiation of new Illuminati coveners, who would subsequently be put through series of allegiance tests; allowing only for the successful recruits to receive bountiful rewards for their servitude.” Is it all just another coincidence, or does Satanism truly govern the Powers that Be, as well as all their covert imagery?

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One commercial stood out in its celebration of a new breeding season, while honoring another ancient Illuminati symbol: the bull. Notice the brown circle, over the bull’s left eye in this Chevrolet Silverado ad? You may already know that emphasis on the left eye, is used by the Powers that Be to represent the all-seeing eye (the eye of Horus, found on the $1 US bill, and in hundreds of popular media images). You will also see a beam of sunlight illuminate the rancher cowboy’s left eye, which of course, symbolizes enlightenment. The bull is referred to as an “eligible bachelor”, which exemplifies the Candlemass start of a new breeding season.

The bull has been worshiped as a sacred animal for thousands of years, as far back as the Stone and Bronze Ages. It was depicted as the sign of the vernal equinox, and personifies the constellation Taurus. In ancient Egypt and Mesopotamia the bull (particularly his horns) represented power, royalty, fertility, and divinity, which all became founding designs for modern-day crowns and tiaras. The entire Minoan civilization was focused on bull idolization, and birthed the myth of the Cretan Minotaur. The Roman cult of Mithras also praised and sacrificed bulls, while the Biblical story of the Golden Calf used bulls to criticize idol worship. The more sinister application of bull imagery today can be found in the sign of the Moloch, or Ba’al, invoked by the hand gesture “Devil horns.” The Moloch and Ba’al are ancient fire deities, often depicted as bulls. It is said that the Illuminati worship Moloch/Ba’al at their secret Bohemian Grove ceremonies, and offer him human sacrifices. Meanwhile, the owl representation of Moloch can be found in hundreds of Illuminati logos, marks, designs and in the media. The hand gesture “Devil horns” summons, and pays homage to those Illuminati deities, both of whom have been deemed demonic by the Catholic Church. It is no coincidence, then that market trends are identified as a bull (for increase in the market) and a bear (for decrease in trends). It also cannot be a coincidence that a number of commercials during the Super Bowl also featured bears… Chobani, Carmax, Labatt Blue, Beats by Dre, and a white owl on a shelf in Butterfingers’ ad:

Are these bears telling us to prepare for another financial market crash? Ellen Degeneres featured a bull, a dog, an owl, 3 pigs, 3 bears, and a big bad wolf, in her “Beats by Dre” commercial:

The owl’s symbolism is also of mythical and mysterious origins, as it represents wisdom and enlightenment, as well as death and the Occult. It’s a very important Masonic figure, and is even concealed in the aerial view of Washington D.C.’s Capitol Hill. The owl is sometimes depicted as Moloch, but to the Masons, it is the patron bird of their trinity goddess (Semiramus, Isis, Ishtar, Aphrodite, Venus, Columbia, etc.) In the Occult, owls represent the demon Lilith, clairvoyance and foresight, as well as the ability to see through darkness. Bohemian Grove contains a large owl statue, used as the central point for the Illuminati’s dark rituals. The 3 little pigs and 3 bears are also symbolic, as they represent the Illuminati and Masonic number 33. The pigs, holding poker cards is also noteworthy, as pigs were a popular metaphorical representation of politicians, or men in power, who hold the winning cards of global domination. Dogs are powerful symbols of Monarch mind control programming, where positive and negative reinforcements are used, in the same ways Pavlov conditioned his dogs. The programming teaches Illuminati allegiance, co-dependency, power, sexual dominance, and territorial or protective behavior towards the Handler(s), in exchange for rewards. A wolf represents the same programming, especially because the Illuminati are described as “wolves among sheep.” The use of red in these animals’ outfits is also noteworthy, as it depicts blood sacrifice, fire and sex programming.

The popularity of puppies in commercials this year is strange too, considering Carmax and Budweiser both came out with viral ads, featuring these small furry friends. Maybe to promote the Puppy Bowl? Or maybe to signify the beginning stages of young “dog” programming?

The KIA Soul Canadian Super Bowl commercial featured three hamsters, “selling their soul” and transforming from chubby, to thin; thus becoming popular and desired. The commercial ends with the three hamsters, as famous celebrities, dressed in black suits and sunglasses, to attend a red carpet event. Oddly, the building number is 607, which adds up to another sacred Illuminati and Occult number: 13. Why are 3 hamsters significant, you might ask? A trinity is sacred in many world religions, particularly in Masonic and Illuminati practices and beliefs, as well as in Occult circles via the Triquetra (hence the persistent pyramid symbolism). Hamsters, as well as all rodents are significant animals in genetic testing and bioengineering. Transhumanism is one of the ultimate goals for TPTB, and is personified by the hamsters in this commercial, which aid in genetically engineering a master human race. Let’s not forget that the entire commercial plays a Lady GaGa song, who is a renowned Illuminati music industry puppet.

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Moving on to car commercials. Let’s begin with Subaru, who also used a family of Golden Labs, and had the male dog check out a “sexy” French Poodle at a stop light. This is symptomatic of more dog programming, where males are taught to be dominant, powerful leaders, etc.; while females are conditioned to be promiscuous, territorial, and aggressive “bitches.”

Dog symbolism continues in the acclaimed Budweiser “puppy love” commercial, while Volkswagen appropriates the image of a terrier to replace the classic “Indian” television test pattern. The number “30” in the traditional test pattern is replaced by an exclamation mark, encased within a pyramid. What could this mean, other than “be aware, you are being mind-controlled with dog programming!”?

Audi’s supposed humorous ad, also sustains the same theme of genetic engineering and dog programming, by depicting a hybrid Doberman-Chihuahua gone wild. Audi’s ad carries an apocalyptic tone, as does Maserati’s dramatic, aggressive strike-force approach to competition in their Ghibli Super Bowl commercial.

Jaguar say “it’s good to be bad” in their celebrity English villain commercial, while the Ford fusion ad plays on the duality theme with Rob Riggle and James Franco. The duplicity within Rob Riggle (represented as himself and as James Franco) plays on alter-ego Monarch programming; where the James Franco alter-ego possesses  much-desired supernatural powers, good looks and material fortune. Rob Riggle is seated with a dog, which returns us to the dog programming symbolism: he, as well as the viewers, are being conditioned to want what James Franco embodies. Rather than seated with a small dog, Franco is next to a tiger, which is a recurring symbol of Illuminati and cat programming, where participants become independent, ego-maniacal, sexually-charged predators. Once Riggle exits his home, we see another sum of 13, depicted by a clear “715” house number.

Riggle’s home contains a horse statuette, as well as horned Japanese-style armor with Anubis sculptural motifs. Franco’s home is littered with the same statuettes, however bigger and more extravagant, with an added figurine of Hermes. This, of course, is no coincidence, as James Franco’s alter-ego represents the outcome of having “sold one’s soul” because Hermes is associated with Occult Illuminati tradition. They believe Hermes to be the original omnipotent practitioner of magic, medicine, divination, and astronomy, hence the name for Occult sciences: Hermetic sciences.

Volkswagen also featured a commercial, where angels “shoot rainbows” out of their behinds — remember the Luciferian rainbow and Illuminati fallen angel reference from my last Super Bowl post? The Illuminati love to take sacred symbols like angels and rainbows, and to appropriate them into Satanic messages. Volkswagen and TPTB have been intertwined since Nazi Germany, which is why their sacrilegious use of angels and rainbows contains powerful Illuminati undertones.

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Microsoft’s “Empowering” commercial is the perfect example of transhumanism, which is one of the Illuminati’s ultimate hopes for mankind. There is nothing wrong with developing technology to help people; however, the idea of transhumanism embodies aspects of genetic engineering and the merging of technology with human bodies; in order to create a superior master race of super-soldiers, impervious to flaws, diseases, even death.

Doritos chips embody the Illuminati pyramid in their shape, and push the power of the Masonic Mother Goddess in the form of a mermaid, during their “For the Bold” Super Bowl ad. Mermaids are mythical man-slaying nymphs, worshiped in Haitian voodoo as “Simbi”, and found in numerous Illuminati coats of arms and logos. The mermaid is also thought to be a symbol of the Age of Aquarius, so her death by the hands of Doritos puppets foretells the Illuminati’s dominion over the coming millennium. Doritos have this Mother Goddess symbol succumb to brainwashed chips-munching men, who kill her and put her on display as a trophy. It is an unusual twist of events, which takes the feminine goddess out of the intangible, mystical world, and puts her into the hands of men; who are conditioned to be “bold”, unpredictable, and murderous, by Doritos chips. In a way, this ad mocks the Illuminati mermaid symbol; but it also glorifies her as something to be captured, preserved, and displayed for everyone to see. The implied consequence of a mermaid body on display is praise, glory and the idolization of this Occult goddess, so the moral is: whether you worship a mermaid, or eat Doritos chips and kill her, you’re perpetuating the Illuminati agenda either way.

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The most-discussed commercial was undoubtedly the Bud Light “Up for Whatever” ad.

The beginning 20 seconds are an exact image of the consistent “sell your soul” theme in this year’s Super Bowl advertisements. A beautiful woman in black approaches an unsuspecting man, offering him a Bud Light, in exchange for his compliance with “whatever happens next.” Using sex, substances, and the promise of something exciting, are classic and successful Illuminati bribery techniques. Obviously, Ian Rappaport agrees, and enters a red limousine, filled with beautiful, drunken bachelorette party girls. The Illuminati programming colors of black, white, red and blue permeate this entire commercial, making an obvious mind control statement.

Blue can contain an entire encoded system, and normally represents military, army, and royal “blue blood” conditioning. Black, white, red and blue are very symbolic colors in Masonic principles as well. Blue is the only color other than white, which can be used in a Master Mason’s Lodge for decoration, as it represents nobility and immortality. In the Occult, blue signals the arrival of Lucifer and his demons. The color red signifies witchcraft programming, blood, war, sacrifice, sex and fire, which acts as the “evil twin” alter-ego of blue programming. Therefore, using the two colors red and blue together symbolizes the Illuminati concept of duality. The red limousine can be seen as a sexual chariot of sorts, whereas the blue pocket square Ian Rappaport is given — by a beautiful celebrity sex symbol — identifies him as a regal soldier.

We see many references to the Illuminati and Freemason trinity in this commercial, through another modified TV test signal (introducing the commercial and its extended scenes), a blue door number behind Don Cheadle, and service elevator markings.

The commercial’s Illuminati alter-ego message gets extremely bold when Ian Rappaport is introduced to his date’s identical twin, then is taken to a party, where everyone is a twin… Duality both literally, and metaphorically, is more than obvious here, due to blue and red imagery, and the Illuminati Gemini obsession. Monarch mind control “twin” programming is a frequent technique to teach children co-dependency, psychic bonding, and alter-ego development. Twin subjects are also taught the willingness to betray, sacrifice and manipulate their twin, thus honing their Gemini split-personality system.

Ian Rappaport proceeds to play table tennis with a satirized Arnold Schwarzenegger in a blue room, (adorned with regalia of the militarization of sport) filled with an audience, dressed in blue and white. Recall the two colors of Master Mason Lodge decoration: blue and white. Schwarzenegger married a Kennedy, and “beneath the surface of Arnold’s facade lies an intricate web of evil including Nazi war criminals, occult rituals, a Rothschild rendezvous, a friendship with once head of the UN and known Nazi, Kurt Waldheim, Warren Buffett and many others” – Alex Jones. Arnold has been rumored to belong to the Skull and Bones secret society, and to have been involved in numerous Illuminati sex slave rituals. His role in this commercial is simply a twisted mockery of his programming, where TPTB facetiously proclaim their complete control and dominance over him.

The ad concludes with the mirrored walls of illusion collapsing, to reveal the blue and red One Republic stage.

The name One Republic is indicative of New World Order single-government, while the lyrics to their “Counting Stars” song lament their Illuminati subservience: “Old, but I’m not that old / Young, but I’m not that bold / And I don’t think the world is sold / I’m just doing what we’re told / I feel something so right / By doing the wrong thing / And I feel something so wrong / By doing the right thing / I couldn’t lie, couldn’t lie, couldn’t lie / Everything that kills me makes me feel alive / Lately I been, I been losing sleep / Dreaming about the things that we could be / But baby, I been, I been prayin’ hard / Said no more counting dollars / We’ll be counting stars.” What perfect lyrics to accompany a commercial, about selling your soul to the Illuminati agenda! Of course, the subliminal messaging would not be complete, without Devil horns/Moloch salutes, cleverly placed behind and around the Bud Light logo. The caption: “Are you #upforwhatever?” dares you to blindly follow these mind-controlled Illuminati drones to “the best night of your life”, as Rappaport exclaims before the screen goes dark… It’s the funnest way to sell your soul!

You can see the Devil horns during the twin party, in an extended cut of the commercial. During the extended version of One Republic’s performance, you can also notice the extended index finger Luciferian salutes by the lead singer, and the many Moloch horns in the audience.

It’s not popular knowledge that the Budweiser family have a long, loyal history of Illuminati affiliation. The Busch’s are descendants of German Illuminati Skull and Bones members (similar to Arnold Schwarzenegger), and have held strong ties with current Illuminati families. There have been numerous suicide and murder mysteries, shrouding the Busch family, which affirms their sacrificial Illuminati connection. If you would like to find out more, do some basic research on the Budweiser logo, so you can see the concealed mind-control elements and Illuminati symbols for yourself.

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As explained by the examples above, XLVIII Super Bowl commercials shamelessly threw Illuminati mind control methodology in the faces of 111.5 million viewers worldwide. Their programming signs are so blatant, invasive, and disturbing, that watching an hour of television — without noticing such audacious brainwashing — is impossible. The symbols in this year’s commercials presented not only the prevalence of Monarch programming, but the Satanic Illuminati agenda (in the honoring of Candlemass) as well. It is no coincidence that such heavily-charged commercials were featured during the most-watched sporting event in North America. Viewers’ energies were open, and ready to receive whatever is thrust upon them; while their distracted, incapacitated (for the most part) brains were susceptible to all types of subliminal messages. The Super Bowl is a ritual to honor the Illuminati, along with the powers that govern them. The commercials, therefore, are grandiose and special 30 second to 1.5 minute windows of opportunity for TPTB to insert all their sinister, subliminal mind control messages into. If you wanted to make the general population serve you, and your corporations, to buy your products and to abide by your ideals, would you not do the same?

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Knowing what you now know, watch another plethora of symbols in this Bud Light Platinum 2013 commercial:

And by the way, what on earth is this?!

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Web Sources:

www.youtube.com;  http://alpha411.blogspot.ca/2010/12/budweiser-death-illuminati-cover-up.html; http://beforeitsnews.com/alternative/2011/02/illuminati-symbolism-rife-in-alcohol-392794.html?currentSplittedPage=2; http://www.richardcassaro.com/sinister-corporate-symbols; http://hollywoodilluminati.com/2012/02/06/madonnas-nfl-satanic-ritual-disguised-in-the-half-time-show/; http://theocculttruth.com/index.php?p=1_104; http://www.witchology.com/contents/february/imbolc_static.php; http://www.bibliotecapleyades.net/sociopolitica/atlantean_conspiracy/atlantean_conspiracy39.htm; http://www.sacred-texts.com/eso/nop/nop19.htm; http://www.whale.to/c/churches_ill.html; http://elle64.hubpages.com/hub/The-Secret-Society-Called-the-Illuminati; http://www.masonicworld.com/education/files/apr02/include/colour_symbolism_in_freemasonry.htm; http://www.eliteagenda.com/eareports/the-use-of-colors-in-popular-images-and-their-hidden-meaning/; http://www.infowars.com/print/nwo/exclusive_arnold.htm;

Illuminati Symbolism at the XLVIII Super Bowl Halftime Show

Over the past couple of years, “conspiracy theorists” have seen their fair share of Illuminati symbolism, cleverly situated in the most-watched portion of the Super Bowl: the Halftime Show.

How could we forget Madonna’s 2012 Luciferian ritualistic performance? There was nothing quite like Isis and Anubis-inspired goddess outfits in the Satanic ritualistic colors of black, gold, red and white.  Madonna paraded her ceremonial garb around Masonic signs, all-seeing-eyes, pentagrams, and pyramids, all while gesturing Baphomet and Illuminati symbols. She evoked Satan in her performance by sliding through a human pyramid like a snake; as many people held up light sticks, which represent a salute to Lucifer in Illuminati rituals. Don’t forget that she “descended” on the giant webbed wings of the fallen angel. Madonna and Cee Lo Green embodied Freemasons in their portion of the show, while Nicki Minaj and M.I.A. resembled ancient Egyptian or Mesopotamian warrior goddess/guardian figures. The entire 13-minute performance was littered with signs of the Occult, as well as with incredibly obvious Masonic symbols, and Illuminati MK Ultra/Monarch programming. The Patriots represented brainwashed Illuminati warriors of New World Order programming, while the Giants exemplified the Illuminati bloodlines as “Nephilim” fallen angels.

How about last year’s Halftime Show? Beyonce channeled her alter-ego Sasha Fierce in her ironic 13-minute “Lights Out” performance, and shamelessly threw up Jay Z’s H.O.V.A. pyramid signs. She replicated a sinister, fiery trinity with Destiny’s Child, and referenced esoteric goddesses with multiple arms. She strut her famous stuff on a stage, which honored the Illuminati’s sacred Gemini duality and Monarch mind control programming. This duality was also perpetuated by the Harbaugh twin brothers, who coincidentally coached the two rival teams. The 49ers numbers add up to 13, and the Raven is a famous harbinger of death, magic, and good versus evil duality in folklore around the globe. Half the stadium (yet another duality programming message) went dark for 33 minutes and 33 seconds, on February 3rd, during the 3rd quarter on 3rd down and 13. The game resumed at 9:11 pm, and the players lined back up with 13:13 minutes to go. The Mercedes-Benz logo (which carries multiple connotations of Occult knowledge, presented by the modified use of a Pagan Triquetra) remained a star of Bethlehem-like symbol, presiding over the lighted half of the stadium. Not to mention that Mercedes-Benz had promised an “exciting fourth quarter” and urged readers to “set your soul free” in a magazine ad, where the number 13 was set ablaze. Remember their Super Bowl commercial? Starring Willem Dafoe as the Devil? You get the idea… I’ll discuss this year’s Super Bowl ads in my next post.

 

I would like to emphasize that the following discussion is not partial to theology, and does not affirm the existence of a Christian God and Devil. My intention is to analyze whether Illuminati and Luciferian symbolism are interconnected, and how their messages infiltrate popular media. The presence of Masonic and Illuminati signs is difficult to ignore at the Super Bowl, yet, the increasing prevalence of Satanic nuances should be addressed. That being said, it is a little-known fact that February 2nd marks the important Pagan holiday of Imbolc, and celebrates the Satanic ritual of Candlemass. Candlemass constitutes Lucifer’s illumination of the world — through the ceremonial lighting of candles from Baphomet’s torch — and opens a new breeding season for domestic and wild animals. Candlemass also observes the mass initiation of new Illuminati coveners, who would subsequently be put through series of allegiance tests; allowing only for the successful recruits to receive bountiful rewards for their servitude. What better way to initiate new members, than to have them compete for allegiance at a ceremonial sporting event like the Super Bowl? Therefore, the ritual is accompanied by animal, or human sacrifice; as it belongs to 1 of 4 sacred meeting days (Sabbats) with Lucifer. In my previous post about the Grammy Awards, I wrote about the strange coincidences between major award ceremonies, and Occult Sabbats. Queen Latifah patriotically ushered the commencement of this year’s Super Bowl by performing “America the Beautiful”; furthermore, she married 33 couples during a performance with Madonna at the Grammy’s on January 26th (another Satanic Sabbat). Keeping to the promise of a Candlemass sacrifice, Philip Seymour Hoffman was found dead in his apartment at around 11am on Sunday, due to a suspected accidental drug overdose. The last public appearance he made was on January 19th at the Sundance Film Festival, which — along with the Producers Guild Awards — marks the beginning of the 6 days of preparation for the sacrificial Sabbat of Da Muer (January 26th). Another string of deaths to consider, are the apparent suicides of prominent bankers Mike Dueker, William Broeksmit, and Gabriel Magee, 2 of whom died on Sunday, and 1 this Tuesday. The suspicious passings of the allegedly troubled actor and these 3 banking professionals, add to a long list of celebrity and government officials’ deaths; which are all speculated to be Illuminati sacrifices for the perpetration of more sinister plans.

The XLVIII Super Bowl set a television audience record of 111.5 million viewers this past Sunday, February 2nd, 2014. What a perfect opportunity for the Powers that Be, to insert a plethora of subtle symbols and messages within the broadcast! What an immense following of hundreds of millions — most of whom have been intoxicated and incapacitated for several hours — perfectly susceptible to subliminal manipulation from advertisements and music.

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Compared to the above-mentioned Halftime Shows, this year’s Super Bowl performance by Bruno Mars appears innocent, fun and spectacular. At a closer look, many covert Illuminati symbols emerge from their “entertainment” disguise, and reveal a number of easily-overlooked messages.

The show begins with a dozen children, linked in arms, singing the chorus of Bruno Mars’ song “Billionaire.” The entire song is a metaphor for the fame, fortune and success that the music industry will provide, as long as a musician “sells his soul.” The children chant: “Every time I close my eyes / I see my name in shining lights / A different city every night / Oh, I, I swear / The world better prepare…” which remains consistent with Luciferian practices of ego elevation, desire visualization and illumination, or enlightenment. The words “prepare” flash on the screen in bold, red letters, and are momentarily interrupted by TV static. As I mentioned in my previous post, the color red is one of the primary ritualistic colors in Satanism. It represents sex, blood, sacrifice, and the element of fire. Meanwhile, in Monarch mind control, the color red coincides with violent, angry, sexually-abused self-destructive programming. Television static is a crucial MK Ultra and Monarch method for the transmission and reception of subliminal audio and visual messages. The significance of 12 children on stage carries Masonic undertones, as the number 12 is sacred in many esoteric belief systems (12 signs of the zodiac, 12 Egyptian months, 12 tribes of Israel and High Priest breast plate stones, 12 disciples of Jesus, Buddha, Osiris, Quetzalcoatl, etc.). The number 12 to Freemasons represents the Twelve Grand Points of Masonry, which is used as the foundation for lectures and 12 initiation rituals in obtaining their Craft Degrees. Therefore, the opening scenes of this performance prime the audience for Bruno Mars, while triggering their susceptibility to the multitude of Illuminati and Masonic messages yet to come.

The stadium is flooded with blue and red lights, which represent army and abuse programming; as well as the invocation of Satan’s blue spirit through the red of fire. Bruno Mars appears perched on a drum set, bearing his mother’s name. Her sudden death last year is speculated to be the ultimate sacrifice of a beloved family member, in order for a celebrity to complete their pact with the Illuminati industry; thus, gaining extreme fame and fortune. Feel free to research the long list of actors, musicians, and celebrities, who have lost someone dear to them, prior to achieving greatness in the all-seeing eye of world media. Mars opens with his song “Locked Out of Heaven”, which is believed to be sympathy for the Devil. His lyrics “Your sex takes me to Paradise”, followed by “I’ve been locked out of Heaven for too long” are indicative of using sexual black magic to return to Heaven, after Lucifer’s fall to earth. Bruno Mars is dressed in gold like Madonna, in honor of Osiris and Lucifer, and represents the trauma, upon which Monarch programming can be built. He is then surrounded by pyramids, which spin clockwise to transmit and receive energy, praising this ancient natural motion.

An upright pyramid is the alchemical symbol for fire and the masculine, while an inverted one stands for water and the feminine. The perpetual clockwise motion of this black Illuminati symbol references the “as above, so below” Occult principle of witching. Notice that his stage is a pyramid, and he is surrounded by two projectors that resemble the upturned 6 and 6 on a pair of dice. This combination adds to 12 (the sacred Masonic number) and is normally used in Luciferian subliminal programming to conceal the more ominous 66.

Bruno Mars’ stage undergoes a series of metamorphoses, as the black pyramid witching portal is replaced by a hyper-speed vortex of stars, which represents his (or Lucifer’s) ascension into the netherworld. He evokes sinister messages in his lyrics once again, as he sings: “You’re my golden star / Make my wish come true / Let me treasure you” which speaks about the golden pentagram. This sacred Occult and arcane symbol permeates all aspects of our culture, and can be found in numerous emblems of power: the Sheriff star, military medals, and so forth. Lest we omit that the name Bruno means shield, or armor; and Mars is the Roman equivalent of the Greek god of war, Ares. Symbolically, Mars is associated with supreme masculinity, the element of fire, and the process of illumination, maintained by the fiery stage set below. Fire is also indicative of Hell, as at this point in the performance, Bruno Mars has metaphorically descended into the underworld.

He proceeds to enchant his audience by singing: “Run away baby / Before I put my spell on you / You better get away darling / ‘Cause everything you heard is true.” Could he be personifying a demonic force from Hell, urging his followers to either comply or run? He says: “I ain’t trying to hurt you baby / Just want to work you baby” which would be a reassuring means of mind and energy control for his susceptible public.

The Illuminati Monarch duality is performed here yet again, with a mausoleum-like white structure behind Bruno Mars’ silhouette. This particular segment carries Masonic messages, and once again honors ancient Egyptian sun-worship, as it is a popular speculation that Freemasonry originated in ancient Egypt. The structure on stage references the Mortuary Temple of Hatshepsut, the “holiest of holy” queens of Egypt’s 18th dynasty. Notice the 18 beams of light over the mausoleum? The 18th dynasty was ruled by many mysterious pharaohs other than Hatshepsut, such as Amenhotem, Tuthmose, and subsequently by infamous figures like Tutankhamun, Ankhenaten, and Nefertiti, who founded the sun-worshiping cult of Amun-Ra. Hatshepsut’s Temple is dedicated to Amun-Ra, and due to its astronomical alignment also illuminates the statues of Osiris and Amun-Ra (both of whom are usually hailed in gold). Coincidentally, 18 was worn by most Denver Broncos fans, because it’s quarterback Peyton Manning’s number.

Mars proclaims: “Give it away now!” and introduces the Red Hot Chili Peppers on stage, who are all dressed in the ritualistic Luciferian colors of black, red and white. The song “Give it Away” is from the Red Hot Chili Peppers’ famous album “Blood Sugar Sex Magik” which perpetuates the Occult, sexual tone of this performance (particularly in the Luciferian spelling of the word “magik”). Upon watching Anthony Kedis chant: “Give it away now / What I’ve got you’ve got to get it put it in you, etc.” I couldn’t help but notice his strange leggings. I discovered that they’re designed by Jeremy Scott, and are called “Delete History Screen Saver”…

Excuse the tiny photo, but a larger resolution is easy to find online, if you’d like to analyze the designs yourself. These “meggings” or “man-leggings” are littered with images of aliens, modified cherubs, chat conversations with eerie creatures; a U.F.O. driver’s license from Area 51, and a cartoon image of Michael Jackson seemingly trapped in a browser window. The phrase “real life sucks” exemplifies Internet mania and the need to escape reality through the pursuit of something paranormal. What struck me the most wasn’t the Michael Jackson mockery, but rather the cursor icon… It holds up an extended index finger, saluting Satan, and prominently features the all-seeing eye in its center. This solidifies the idea that the Illuminati agents of surveillance are always watching you, despite your attempt to conceal your “conspiracy theory” searches with images of peace and love.

At the end of his performance, Bruno Mars sings “Amazing” and inserts clips of soldiers’ greetings to their families and loved ones from abroad. David Zirin from the Dissident Voice wrote a great article about the militarization of the Super Bowl; as well as the problem behind encouraging military service via subliminal messages, like the ones seen in Bruno Mars’ performance. Considering Bruno Mars’ militarized alias, I was not surprised to see an army tribute during his performance.

What fascinated me, was his circular podium, reminiscent of the witching circle that Taylor Swift and Lorde were enclosed in during the Grammy’s. The lights in the audience go from blue, to red, to rainbow-colored, which are all symbolic of the invocation of Lucifer or his demons. Madonna’s performance also featured the use of these light sticks to salute Lucifer, as he is worshiped as the fallen angel of enlightenment. The color blue normally signals the appearance of Lucifer, or one of his demons, while red induces lust, anger, and violence. A rainbow is often described as a bridge of light, connecting Lucifer to the tangible world; thus, allowing him to materialize. All these signs and salutes to Satanic rituals are celebrated with an impressive fireworks display over the stadium, during the climax of this performance.

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To summarize, since antiquity, sports have been sacred sacrificial rites, involving the bloodshed of winners or losers, to appease the gods. Once the Babylonians, Egyptians, Greeks and Romans saw how important sporting spectacles were — in sedating and distracting the public from the reality of their daily lives, or from the corruption of their governments — sports became primary sources of entertainment for the all classes of ancient society. Athletic displays of superiority, masculinity, combat, and perseverance today, serve the same purpose, as they did thousands of years ago. That being said, major sporting events like the Super Bowl provide the ideal platform for subliminal brainwashing on a global scale. Despite Bruno Mars’ seemingly tame Halftime Show performance, he depicted many Illuminati, Masonic, and Occult symbols, which are becoming increasingly more audacious and obvious to the public. His Monarch programming, the essence of his stage name, as well as his lyrics, all carry profound esoteric undertones. He pays homage to Occult practices, by sustaining the clandestine Illuminati agenda, and disguising it as mindless entertainment for bewitched, brainwashed viewers.

The important question is, why are these performances becoming so blatant and apparent? Do the Powers that Be want more people to awaken and arise, so they can single-handedly destroy all potential revolutionaries, prior to the New World Order? It would seem that anyone, who rejects this zombified system has become an automatic target already, so what can we do to change it? How can we discourage these Illuminati puppets from infiltrating our minds, or the vulnerable brains of our children? The only thing I can assert, is: do not be afraid. You are not alone. You are not going crazy. You are simply waking up.

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Web Sources:

http://www.youtube.com; http://disinfo.com/2014/02/third-prominent-banker-six-days-found-dead-apparent-suicide/; http://www.richardcassaro.com/sinister-corporate-symbols; http://hollywoodilluminati.com/2012/02/06/madonnas-nfl-satanic-ritual-disguised-in-the-half-time-show/; http://theocculttruth.com/index.php?p=1_104; http://www.witchology.com/contents/february/imbolc_static.php; http://educate-yourself.org/mc/illumformula4chap.shtml; http://www.dailymail.co.uk/news/article-2550694/Philip-Seymour-Hoffman-split-partner-Mimi-ODonnell-troubled-months.html; http://www.bibliotecapleyades.net/sociopolitica/atlantean_conspiracy/atlantean_conspiracy39.htm; http://www.sacred-texts.com/eso/nop/nop19.htm; http://dissidentvoice.org/2014/02/the-super-bowls-military-fables/

Grammy Awards 2014: Occult Rituals

Witchcraft and the Occult were hot television topics in 2013, due to popular series as American Horror Story: Coven, or Witches of East End; as well as the film releases of The Conjuring, and Hansel & Gretel: Witch Hunters. The New Year brought these mysterious themes to a controversial culmination, when the 56th Annual Grammy Awards aired on Sunday, January 26th, 2014.

Anyone, who watched the Grammy performances, likely noticed they had one thing in common: dark, ritualistic undertones. Now, I must make it abundantly clear that I am not a religious person; and have tried to question the existence of a God and Devil for many years. I tend to hold a more agnostic, inclusive and liberal view on the world and its various belief systems. My inability to believe, or disbelieve the existence of one, true God, also led me to doubt the existence of a Devil (specifically in Christian terms). I always told myself that acknowledging Luciferianism– as the dark force behind the Illuminati, and the entertainment industry — was implausible, shortsighted, and…completely crazy. However, after viewing the highly publicized Grammy performances, I was prompted to do some loose research, in order to explain the dozens of similarities, coincidences, and obvious Occult motifs.

I am quite aware that I may be displaying symptoms of apophenia in my analyses, yet, the covert messages in the following Grammy performances, may unlock new connections between Illuminati and celebrities. My intention is not to enforce conclusive Satanist truths about the Grammy Awards spectacle; but to rather openly explore alternative theories, which might draw conspicuous parallels between these performances, and the Occult. If you find inconsistencies, or think I have omitted something important, please feel free to comment, or discuss below. I am very open to constructive criticism, and am happy to make the necessary revisions.

*NOTE: The 2014 Grammy Awards took place on January 26th, which, according to the Satanic Calendar of Sabbats, marks the celebration of Da Muer. This ritual is described as the grand climax of 6 days of preparation, which involve: kidnapping, torture, sexual acts and Satanic rituals, prior to the January 26th blood sacrifice of a woman or child. What ceremonial event took place 6 days before the Grammy’s? The 25th Annual Producers Guild Awards Gala. I would rather not go into detail with the following, but every single performer at the Grammy’s is born on (or within 3 days) of major Sabbats… Another intriguing tidbit to consider: the most-watched sporting event in North America, the XLVIII Super Bowl, will occur on Sunday, February 2nd, 2014. February 2nd is Candlemass, another Satanic Sabbat, involving sexual acts, and human or animal sacrifice, to celebrate the mass initiation of new members. The 86th Academy Awards will air on Sunday, March 2nd, 2014. According to Occult calendars, St. Eichatadt’s Day is celebrated on March 1st (although some calendars state it takes place on March 2nd-March 3rd). This particular Sabbat involves sexual acts, and the drinking of (usually female) blood, to pay homage to demons and ask them for strength. I don’t want to jump to conclusions, but isn’t it a bit odd that these popular entertainment events coincide with important Satanic holidays?

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First, I would like to dissect the significance behind many performers’ seemingly random outfit changes:

Mary Lambert, Macklemore, Ryan Lewis, Madonna, and Queen Latifah

P!nk

Katy Perry (throwing up the Devil horns with her tongue out, which seems to be a trend with may performers today, like Miley Cyrus, Rihanna and Ke$ha, for example)

Imagine Dragons and Kendrick Lamar (notice the blood splatter and Devil horns)

Lorde and Beyonce (notice Beyonce and Jay Z’s “666” hand gestures)

Daft Punk

Pharrell Williams (notice his index finger in salute to Lucifer) and Taylor Swift

 

Duality is a recurring theme in Paganism, and exists in all world religions, or sciences in some form. The idea of matter and anti-matter, dark and light, good and evil, masculine and feminine, life and death, is what these outfit changes symbolize. The Yin-Yang, the Gemini split-personality, the Pisces physical and spiritual knowledge, etc. all embody the essence of Illuminati fascination with black versus white duality particularly in their Monarch mind control programming tactics. If you’ve done your secret society homework, you’re likely to know that the colors black, white, red and blue are extremely prevalent in Illuminati and Freemason imagery. White symbolizes superiority, divinity, enlightenment, and is associated with genetically-engineered “master race” programming. Black stands for darkness, consciousness, nether-realms, and is associated with programming to do the Illuminati’s “dirty work.” Red represents the element of fire, blood, sexuality, witchcraft, and anger, or abuse programming. Blue represents the element of water, cloning and genetic engineering, armies, war, and protects against deprogramming.  They are also considered to be the colors of the Devil in Occult practices; as red, white and black are believed to be the three major “nadis” of the human soul, while the color blue usually brings forth the presence of Satan, or his demons. Gold and silver also carry charged programming codes. Gold stands for supreme leadership, materialism, desires (which includes the Grand Druid Council in Paganism), and represents the traumas, upon which programming can be built. Silver accompanies high-level rituals, and represents deception, perception, and enables the encoding of programming.

The celebrities, pictured above, are physically embodying programming techniques, while personifying emblematic Illuminati and Satanist colors. The vast amount of celebrity audience members at the Grammy Awards, who were deliberately featured on screen during performances, are all dressed in black, white, red, or blue. Having done much research on the Illuminati’s grip over the entertainment industry, I can no longer believe all these signs are mere coincidences.

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Having said this, let’s analyze some of the more publicized performances at the Grammy Awards:

What I found to be strange here, is that Taylor Swift is encircled, almost as if she is on an altar. Her beautiful dress resembles sacrificial robes, and her violent body movements (which were mocked in the media) seem indicative of possession. Her piano clearly depicts “13” in three places. There are also 11 performers on stage, making Taylor Swift the 12th. The number 11 is a sacred master number to Illuminati and Freemasons. The Satanist Anton LeVey founded his Church on the principles of the 11 Satanic Rules of Earth. The Antichrist is signaled by the 11th horn, and the Kabbalistic number of Lucifer’s Morning Star is 11. The number 12  represents the steps of the Magnum Opus (based on the signs of the zodiac), and holds many religious and spiritual connotations, which is why it is sacred in many world religions: Jesus’ 12 disciples, 12 Imams of Muhammad, Odin’s 12 sons, Suriya’s 12 names, 12 principal Olympian gods, etc. In the Occult, the number 12 is used to hide the more sinister 66. The number 13 is very significant in Occult practices, due to the 13th lunar month. There are 13 witches in a coven, one to represent each lunar month. In a pentagram with a circle ration of 13, each arm of the star equals 12.36 (the number of lunar months, days and hours in a solar year). In ancient cultures, 13 represents femininity, due to the lunar menstrual cycle. The Knights Templar arrest was ordered on Friday, October 13th, 1307 (bad-luck Friday); and there are 13 Illuminati bloodlines. People, born on the 13th of a month, are believed to have a special alliance with dark forces. Is it possible that Taylor Swift’s performance honored ancient Pagan, Occult, and Illuminati sacred digits, through deliberate numerological messages?

Lorde is wearing black and white, symbolizing the Illuminati and Occultist duality of the universe, yet again. She is singing, enclosed in a circle like Taylor Swift, with television static behind her, which is a key tool for media control and subliminal messaging. The stone angels also bear a dark message, as the Illuminati believe themselves to be descendants of fallen angels, which explains their Luciferian association. Incorporating static, as a brainwashing tool, and a stone angel, looming over Lorde, epitomizes her allegiance to the “divine” transhumanism of Illuminati; their control over the industry, over people’s minds, and bodies. Here is where things get disturbing: Lorde’s fingertips are black, as if she has dipped her fingers in tar. She’s wearing black lipstick, and black nail polish, with sharp nails. Her black fingers are reminiscent of being fingerprinted (storing genetic information, government identification database). The more ominous reading, is that she is a powerful dark magic practitioner, as most witches would wear black lips and black nails, to honor their sexual relationship with Satan. The song itself is reminiscent of a chant, due to the nonsensical lyrics, which feature words like “blood, I want to be your ruler, etc.” Her twitching is similar to Taylor Swift’s in being taken over, during demonic possession.

P!nk begins her performance with levitation on black drapes, first in a Jesus-like pose of blessing and ascension. Then, she inverts the ascension pose into the Hanged Man, and descends to the public, almost as if to harvest their energy. The significance of inverting a seemingly religious symbol, is a common Satanist practice, as the fall and “inversion” of man is his rise towards true divinity. In the Occult world, up is down, left is right, evil is good, and dark is light, which is why we see P!nk reference the Hermetic “as above, so below” gesture. She continuously allows herself to drop into the fabric, allowing it to catch her, which could be another form of dark surrender — a reassurance that dark forces will never let you fall, during levitation. She descends to a shirtless man in black, whom she manipulates physically, as they balance one another. They intertwine multiple times to signify the Yin-Yang, or the Pisces and Gemini balanced duality of the universe. Nate Ruess begins his performance in dark red, and as I mentioned, reds are colors of the abusers, who reframe abuse in their mind as training. P!nk has put on a long black skirt, and appears to have black thorns, or horn-like protrusions, sticking out from the right side of her head. I believe this is more than her stylist’s aesthetic choice. The right brain governs creativity, intuition, visualization, dreaming, music, arts, nonverbal communication, among many other functions. The black thorns in her head tell me that the Illuminati and Occult forces, have infiltrated her mind, and have full dark control over those parts of her brain. This stage set is also ritualistic — with a backdrop of white, barren trees, beneath a full moon, covered by clouds — as most Occult ceremonies take place during a full moon.

“m.A.A.d.” means “My Angel on Angel’s Dust” and it is a troubling title, due to the insinuation that the “good angel” has been turned to dust, and the “bad angel” now presides over it.  Here’s what Kendrick Lamar says in this song: “I made a legion then made a promise to see you bleeding / You know the reasons but still won’t ever know my life / Kendrick a.k.a. Compton’s human sacrifice…”Am I the only one, who interprets these lyrics as: “I sold my soul to get what I want / You know why / I am sacrificing myself for some obscure purpose?” Mashing “m.A.A.d. City” with “Radioactive” makes these haunting lyrics even more compelling, as Imagine Dragons sing: “This is it, the Apocalypse… Welcome to the New Age.” The fact that they’re all wearing white, on a white stage, with 10 light pillars behind them, 8 lights on each pillar, and 8 smoke billows is also important to consider. 8 is a mystical number, as it figuratively depicts infinity. It has ancient religious applications, but in Christianity, Revelations claim the Anti-Christ to be the 8th King. In the Occult, there are 8 Wiccan Sabbats, festivals, seasons, and spokes in the Wheel of the Year. The number 10 is also crucial, and we will see it appear in other performances. 10 is an even natural number, and is expressed as “X” or “+” in both Roman and Chinese numeral systems. There are 10 Commandments, 10 plagues, 10 Martyrs, 10 days of repuntance, 10 lost tribes of Israel, 10 Sephirot in the Kabbalistic Tree of Life; and 10 primordial elements or fundamental principles of Creation: Heaven, Earth, Chaos, Void, Light, Darkness, Wind, Water, Day, and Night (also Bereshit – or pasha). The Illuminati have 10 Degrees (7 standard and 3 mystery ones), thanks to Pythagoras, who deemed 10 to be a divine number. For the Illuminati, the numbers 1, 2, 3, 4, add up to 10 to form the divine triangle “tetractys”, which embodies the 4 elements, and the mystical 5th essence, known as “quintessence.” Considering the importance of such numbers to Illuminati and dark magic practitioners, is it only a coincidence that they’re prominently featured on stage? The most obvious ceremonial aspect of this performance, is that Imagine Dragons and Kendrick Lamar cover themselves in red paint! They literally look like murderers, or sacrificial lambs! If singing about human sacrifice, the end of the world, and welcoming a “new age” — while splattering “blood” everywhere — is not indicative of a Satanic blood ritual then I don’t know what is…

We have arrived at the world’s most controversial Illuminati celebrity couple, Beyonce and Jay Z… Beyonce begins by sitting on a chair, legs open, with 10 white light fixtures around her in a semi-circle, while the spotlights on her body change from blue to red. We once again see the number 10, as well as the Illuminati programming colors — black, white, red and blue. Beyonce has shed her white gown, and has replaced it with a revealing black corset, which makes her torso look caged and bound. Her wet hair is done on purpose: our current age of Pisces is identified with water, and in Satanism, water is the element of Leviathan. It is a period of “evil” wherein the “dark side” of mind-controlled civilization can flourish, which this performance perpetuates, by incorporating the programming colors of red and blue. Almost every major religion’s “Mother Goddesses” (both good and evil) are associated with water — in the form of water snakes, hydras, mermaids, or undines — which is embodied by Beyonce’s slithering and writhing.  In Occult practices, water is an essential element for witching, as it represents the unconscious and emotional, though it physically interacts with the senses. The alchemical symbol for water is a reversed pyramid (represented by the chalice in Occult rituals), which is a symbol of the female reproductive organs. Beyonce’s incessant genital fondling pays homage to the feminine chalice, and the element of water, as she physically channels a dark undine spirit. She and Jay Z repeatedly make the hand sign for “666” (index finger and thumb forming a circle, remaining 3 fingers are outstretched). Beyonce also does a modified sign of the cross, where she uses one finger on her left hand to touch her forehead, heart, and shoulders, then proceeds to touch her genitals. The forehead and chest are touched twice, symbolizing the inversion of the cross, while the shoulders signify her power. Her use of one finger on the left hand is also noteworthy, as the “left-hand path” is a branch of witchcraft that deals with Luciferianism and Satanism. After all, the word “sinister” is Latin for left-handed. The left-hand path rejects conventional religious and societal norms, and elevates the ego. Using one’s left hand to make a modified sign of the cross with the index finger is a salute to Satan, as pointing away from the body means “the sign of faith” and pointing upward is “the sign of preservation.” Beyonce not only mocks, and inverts the traditional sign of the cross in a Satanic way; but also places emphasis on sexuality via caressing her crotch, in order to connect with the emotional, unconscious water nymph she personifies.

Mary Lambert’s red dress embodies the color of sex, blood, and sacrifice. The “lady in red” is a powerful Illuminati media symbol for money, power, lust, desires, i.e. all the Luciferian earthly “temptations” that people should strive for. Macklemore is dressed in black, almost resembling a preacher, with a mother of pearl bolo tie. Mother of pearl symbolizes faith, power, protection, purity; it strengthens the environment, and cleanses the atmosphere. Mother of pearl is associated with Pisces — the sign of all zodiac signs for Illuminati, as I already mentioned. Madonna is in white, after being dressed like a witch in black, with a tilted silver crucifix on her tie, while her right hand is covered by a silver glove. Remember what I said about the “left-hand path” in Satanic beliefs? Or the significance of black-white duality, and silver Satanic programming? Remember the significance behind tilting, or inverting the cross? Why expose the left hand, but cover the right? Michael Jackson covered his right hand, and was very outspoken against the Illuminati. Could there be a connection, between Michael Jackson’s iconic symbol of rebellion, and Madonna’s hand reversal? To make matters more conspicuous, Madonna is holding a Masonic scepter, which implies that she’s a keeper of ancient secrets, and holds great power. The stage set is a church blueprint, where vague architectural features gradually morph into rainbow stained-glass rose windows. The rainbow, in New Age Satanist beliefs, is perceived to be a bridge, connecting Lucifer to mankind. Illuminati symbols gradually appear in the windows (the eye, the Occult Triquetra, the powerful hexagram, etc.), so train your eyes to recognize these signs, because they quickly morph into architectural structures. If you’re still skeptical, here’s the kicker: Madonna begins singing: “Open your heart to me.” as Queen Latifah marries 33 couples… Why 33? There are 33 steps or degrees to Masonic supreme knowledge in the Scottish Rite of Freemasonry. Dan Brown names 33 as the essential meaning of life in his book, The Lost Symbol. Newton’s (a suspected Freemason) scale deems 33 degrees to be the temperature at which water boils, which also ties into Masonic degrees: anything below 33 is frozen, and 33 levels of enlightenment must be achieved, in order for one to experience a change of state. So, there seem to be 33 coincidences too many in this performance.

Last, but not least, let’s examine the most controversial Grammy performance: Katy Perry and Juicy J’s “Dark Horse”. Juicy J is a member of Three 6 Mafia (666) and acts as an usher for the entire ceremony, maybe embodying Lucifer, as the active force behind Katy Perry’s ritual. Katy Perry is cloaked in black, and crowned with a three-horn tiara. The three-horned tiara is an ancient symbol of sovereignty, and divine celestial power, predating the Christian trinity. This type of crown is derived from the 3 horns of ancient deities, who held more power than the deities, depicted with traditional 2 bull or goat horns. The three-horned tiara can also represent Baphomet’s two goat horns and central burning torch. Katy Perry emerges out of a crystal ball, which looks much like a full moon, as a male voice says: “She cast a spell, the crystal ball evoked the spirits, she put me in a trance…. Let’s rage!” The crowd, of course, go berserk when the beat drops, prompting 4 demons to rise from behind Katy Perry, as she makes the sign of the Devil and says: “Make me your one and only.” The audience worship her, and her witchcraft, completely unaware of the evil messages on stage. The 4 demonic figures represent the 4 Horsemen of the Apocalypse (if you want to take a Biblical stance), or the 4 elements of dark magic and the Illuminati (if you prefer the Occult reading). Four humans emerge from the demons, as a dark horse with flaming eyes prances on the screens behind them, and Katy Perry removes her robe to expose a red Knights Templar cross on her chest. Let’s not forget that the Knights Templar were the original Illuminati warriors. Once again, we see the color red in the cross, as the focal point on stage. Notice that Katy Perry makes the “dark horse of the Apocalypse” bow to her, asserting her divine power. Taming the horse of the Apocalypse makes Katy Perry the Aphrodite she invokes in her song, as Aphrodite is also known as Ishtar, Semiramus, Venus (she embodies the 6th of Illuminati Degrees, and the Masonic trinity goddess) and is an important fertility goddess in Occult practices. The “black horseman” or “Dark Horse” in the Bible symbolizes famine and class division, which might suggest a continuing abundance of luxuries for the wealthy, while staples such as wheat and crops are scarce. Therefore, if the dark horse in the Biblical sense embodies famine, and class division; then Katy Perry rules over him, due to her Aphroditic fertility, wealth and power. She is “levitated” by her posse of demonic minions, which also symbolizes the surrender to evil, and the giving of one’s soul to darkness. Her broom is used as a stripper pole, rubbed and bowed to in a sexual way. She spins around it 3 times with 3 other witches, which is common practice in witchcraft, as the “Holy Trinity” is mocked and replaced by an evil one, where every rite is repeated 3 times. All these Occultist acts seem quite odd, when performed by a woman with a large cross on her chest, don’t they? That’s exactly the point: mocking organized religion, negating faith in a “good god”, and ironically appropriating religious symbols within Satanist messages. The climax of this ritualistic show occurs, when male figures disperse what looks like copper dust around her in a circle, which then bursts into flames. The red circle represents the element of fire and the direction South, and must be activated by creating a cone of power. The energy from a cone of power manifests into a rounded pyramid, or cone-like shape, which Katy Perry gestures with her body and arms. This energy can grant a desire, or be transmitted to a person, place, thing, or within the astral plane for materialization. Fire is a purification element in the Occult, and it is rumored that true powerful witches cannot burn at the stake; so maybe, Katy Perry personifies a powerful witch goddess, and has manifested some dark energy through this performance.

Other performances from the 2014 Grammy Awards also featured dark, ritualistic, apocalyptic subjects. For example, Metallica and Lang Lang’s rendition of “One” screened images of soldiers at war in black white and red, or tilted crosses in the barbed-wire trenches; and they once again donned the colors black and blue (honoring the Illuminati’s blue soldier programming).

Carole King and Sara Bareilles’ “Beautiful Brave” performance featured old maps of the world in blue. To those with army programming, hearing the words: “I want to see you be brave.” would be incredibly powerful. Both women were wearing black.

Hunter Hayes dressed in black, during his “Invisible” song, and ceremoniously quoted John Lennon: “You don’t need anybody to tell you who you are or what you are. You are what you are.” Steve Jobs: “Don’t let the noise of others’ opinions drown out your inner voice. And most important, have the courage to follow your heart and intuition.” Lady Gaga: “There really is no difference between the bully and the victim.” Johnny Depp: “As a teenager I was so insecure. I was the type of guy that never fit in because he never dared to choose. I was convinced I had no talent at all.” Sure, although his song has a positive message, the quotes used, are by prominent industry puppets, who have “sold their soul.” One of the main teachings of Luciferianism is to trust your intuition, gratify your ego as a free, creative, divine and perfect creature; thus, to consequently reap the earthly, physical pleasures of your success.

Keith Urban and Gary Clark’s “Cop Car” black-clad set looks like they’re surrounded by dozens of ritualistic candles.

Daft Punk, Pharrell Williams and Stevie Wonder’s “Get Lucky” performance featured the same rainbow-colored set, like Macklemore and Mary Lambert’s. They’re all wearing black and white, and you’ll notice the many black, white, blue and red-clothed celebrities in the audience. Stevie Wonder has had many controversial Illuminati images in his videos, while Daft Punk blatantly display themselves as the white-programmed, transhuman, genetically-superior puppet masters of the entire show. The “recording” sign in their booth makes them Big Brother figures, as Pharrell Williams’ index finger is proudly raised in the air, possibly affirming his allegiance to the Illuminati’s Satanism?

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To conclude, I will not claim to hold conclusive answers, as this post is comprised on the basis of preliminary research. However, it is an undeniable fact that the 56th Annual Grammy Awards exhibited many Satanist signs in their performances. Considering the Illuminati Luciferian controversy in the entertainment industry (which I have tried to ignore and deny for many years), after examining the symbols in these performances closely, I personally think that there are definite sinister forces at play. I will reiterate that I am not a religious believer, and am not preaching a good versus evil battle between a God and a Devil. Nonetheless, the ritualistic date of the award ceremony, the color-coded programming and subliminal messaging from these celebrities; as well as the numerous evil connotations within their performances, make it difficult to disbelieve in the Illuminati Luciferian agenda… Could it be, that forces of evil truly do govern the Illuminati-controlled entertainment industry? Have these performers sold their souls, in order to gain money, fame, power, and influence; while agreeing to perpetuate the Illuminati agenda? What do you think?

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Web Sources:

http://www.youtube.com; http://www.bavarianlegacy.tumblr.com/glossary; http://www.theforbiddenknowledge.com/hardtruth/13_33_freemason_sig.htm; http://www.theforbiddenknowledge.com/hardtruth/destruction_of_the_trade_centers.htm; http://www.cuttingedge.org/news/n1980.cfm; http://www.bibliotecapleyades.net/cienciareal/cienciareal20.htm; http://spiritualwarfare666.webs.com/Satans_Library.htm; http://armageddonconspiracy.co.uk/Illuminati-Degrees%281540971%29.htm; http://educate-yourself.org/mc/illumformula11chap.shtml; http://www.scribd.com/doc/28653056/The-Occult-Calendar; http://www.karencaston.org/upload/satanic%20and%20witch%20Calendar_%20072011%206pages.pdf;