Witchcraft and the Occult were hot television topics in 2013, due to popular series as American Horror Story: Coven, or Witches of East End; as well as the film releases of The Conjuring, and Hansel & Gretel: Witch Hunters. The New Year brought these mysterious themes to a controversial culmination, when the 56th Annual Grammy Awards aired on Sunday, January 26th, 2014.
Anyone, who watched the Grammy performances, likely noticed they had one thing in common: dark, ritualistic undertones. Now, I must make it abundantly clear that I am not a religious person; and have tried to question the existence of a God and Devil for many years. I tend to hold a more agnostic, inclusive and liberal view on the world and its various belief systems. My inability to believe, or disbelieve the existence of one, true God, also led me to doubt the existence of a Devil (specifically in Christian terms). I always told myself that acknowledging Luciferianism– as the dark force behind the Illuminati, and the entertainment industry — was implausible, shortsighted, and…completely crazy. However, after viewing the highly publicized Grammy performances, I was prompted to do some loose research, in order to explain the dozens of similarities, coincidences, and obvious Occult motifs.
I am quite aware that I may be displaying symptoms of apophenia in my analyses, yet, the covert messages in the following Grammy performances, may unlock new connections between Illuminati and celebrities. My intention is not to enforce conclusive Satanist truths about the Grammy Awards spectacle; but to rather openly explore alternative theories, which might draw conspicuous parallels between these performances, and the Occult. If you find inconsistencies, or think I have omitted something important, please feel free to comment, or discuss below. I am very open to constructive criticism, and am happy to make the necessary revisions.
*NOTE: The 2014 Grammy Awards took place on January 26th, which, according to the Satanic Calendar of Sabbats, marks the celebration of Da Muer. This ritual is described as the grand climax of 6 days of preparation, which involve: kidnapping, torture, sexual acts and Satanic rituals, prior to the January 26th blood sacrifice of a woman or child. What ceremonial event took place 6 days before the Grammy’s? The 25th Annual Producers Guild Awards Gala. I would rather not go into detail with the following, but every single performer at the Grammy’s is born on (or within 3 days) of major Sabbats… Another intriguing tidbit to consider: the most-watched sporting event in North America, the XLVIII Super Bowl, will occur on Sunday, February 2nd, 2014. February 2nd is Candlemass, another Satanic Sabbat, involving sexual acts, and human or animal sacrifice, to celebrate the mass initiation of new members. The 86th Academy Awards will air on Sunday, March 2nd, 2014. According to Occult calendars, St. Eichatadt’s Day is celebrated on March 1st (although some calendars state it takes place on March 2nd-March 3rd). This particular Sabbat involves sexual acts, and the drinking of (usually female) blood, to pay homage to demons and ask them for strength. I don’t want to jump to conclusions, but isn’t it a bit odd that these popular entertainment events coincide with important Satanic holidays?
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First, I would like to dissect the significance behind many performers’ seemingly random outfit changes:
Mary Lambert, Macklemore, Ryan Lewis, Madonna, and Queen Latifah
P!nk
Katy Perry (throwing up the Devil horns with her tongue out, which seems to be a trend with may performers today, like Miley Cyrus, Rihanna and Ke$ha, for example)
Imagine Dragons and Kendrick Lamar (notice the blood splatter and Devil horns)
Lorde and Beyonce (notice Beyonce and Jay Z’s “666” hand gestures)
Daft Punk
Pharrell Williams (notice his index finger in salute to Lucifer) and Taylor Swift
 
Duality is a recurring theme in Paganism, and exists in all world religions, or sciences in some form. The idea of matter and anti-matter, dark and light, good and evil, masculine and feminine, life and death, is what these outfit changes symbolize. The Yin-Yang, the Gemini split-personality, the Pisces physical and spiritual knowledge, etc. all embody the essence of Illuminati fascination with black versus white duality particularly in their Monarch mind control programming tactics. If you’ve done your secret society homework, you’re likely to know that the colors black, white, red and blue are extremely prevalent in Illuminati and Freemason imagery. White symbolizes superiority, divinity, enlightenment, and is associated with genetically-engineered “master race” programming. Black stands for darkness, consciousness, nether-realms, and is associated with programming to do the Illuminati’s “dirty work.” Red represents the element of fire, blood, sexuality, witchcraft, and anger, or abuse programming. Blue represents the element of water, cloning and genetic engineering, armies, war, and protects against deprogramming. They are also considered to be the colors of the Devil in Occult practices; as red, white and black are believed to be the three major “nadis” of the human soul, while the color blue usually brings forth the presence of Satan, or his demons. Gold and silver also carry charged programming codes. Gold stands for supreme leadership, materialism, desires (which includes the Grand Druid Council in Paganism), and represents the traumas, upon which programming can be built. Silver accompanies high-level rituals, and represents deception, perception, and enables the encoding of programming.
The celebrities, pictured above, are physically embodying programming techniques, while personifying emblematic Illuminati and Satanist colors. The vast amount of celebrity audience members at the Grammy Awards, who were deliberately featured on screen during performances, are all dressed in black, white, red, or blue. Having done much research on the Illuminati’s grip over the entertainment industry, I can no longer believe all these signs are mere coincidences.
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Having said this, let’s analyze some of the more publicized performances at the Grammy Awards:
What I found to be strange here, is that Taylor Swift is encircled, almost as if she is on an altar. Her beautiful dress resembles sacrificial robes, and her violent body movements (which were mocked in the media) seem indicative of possession. Her piano clearly depicts “13” in three places. There are also 11 performers on stage, making Taylor Swift the 12th. The number 11 is a sacred master number to Illuminati and Freemasons. The Satanist Anton LeVey founded his Church on the principles of the 11 Satanic Rules of Earth. The Antichrist is signaled by the 11th horn, and the Kabbalistic number of Lucifer’s Morning Star is 11. The number 12Â represents the steps of the Magnum Opus (based on the signs of the zodiac), and holds many religious and spiritual connotations, which is why it is sacred in many world religions: Jesus’ 12 disciples, 12 Imams of Muhammad, Odin’s 12 sons, Suriya’s 12 names, 12 principal Olympian gods, etc. In the Occult, the number 12 is used to hide the more sinister 66. The number 13 is very significant in Occult practices, due to the 13th lunar month. There are 13 witches in a coven, one to represent each lunar month. In a pentagram with a circle ration of 13, each arm of the star equals 12.36 (the number of lunar months, days and hours in a solar year). In ancient cultures, 13 represents femininity, due to the lunar menstrual cycle. The Knights Templar arrest was ordered on Friday, October 13th, 1307 (bad-luck Friday); and there are 13 Illuminati bloodlines. People, born on the 13th of a month, are believed to have a special alliance with dark forces. Is it possible that Taylor Swift’s performance honored ancient Pagan, Occult, and Illuminati sacred digits, through deliberate numerological messages?
Lorde is wearing black and white, symbolizing the Illuminati and Occultist duality of the universe, yet again. She is singing, enclosed in a circle like Taylor Swift, with television static behind her, which is a key tool for media control and subliminal messaging. The stone angels also bear a dark message, as the Illuminati believe themselves to be descendants of fallen angels, which explains their Luciferian association. Incorporating static, as a brainwashing tool, and a stone angel, looming over Lorde, epitomizes her allegiance to the “divine” transhumanism of Illuminati; their control over the industry, over people’s minds, and bodies. Here is where things get disturbing: Lorde’s fingertips are black, as if she has dipped her fingers in tar. She’s wearing black lipstick, and black nail polish, with sharp nails. Her black fingers are reminiscent of being fingerprinted (storing genetic information, government identification database). The more ominous reading, is that she is a powerful dark magic practitioner, as most witches would wear black lips and black nails, to honor their sexual relationship with Satan. The song itself is reminiscent of a chant, due to the nonsensical lyrics, which feature words like “blood, I want to be your ruler, etc.” Her twitching is similar to Taylor Swift’s in being taken over, during demonic possession.
P!nk begins her performance with levitation on black drapes, first in a Jesus-like pose of blessing and ascension. Then, she inverts the ascension pose into the Hanged Man, and descends to the public, almost as if to harvest their energy. The significance of inverting a seemingly religious symbol, is a common Satanist practice, as the fall and “inversion” of man is his rise towards true divinity. In the Occult world, up is down, left is right, evil is good, and dark is light, which is why we see P!nk reference the Hermetic “as above, so below” gesture. She continuously allows herself to drop into the fabric, allowing it to catch her, which could be another form of dark surrender — a reassurance that dark forces will never let you fall, during levitation. She descends to a shirtless man in black, whom she manipulates physically, as they balance one another. They intertwine multiple times to signify the Yin-Yang, or the Pisces and Gemini balanced duality of the universe. Nate Ruess begins his performance in dark red, and as I mentioned, reds are colors of the abusers, who reframe abuse in their mind as training. P!nk has put on a long black skirt, and appears to have black thorns, or horn-like protrusions, sticking out from the right side of her head. I believe this is more than her stylist’s aesthetic choice. The right brain governs creativity, intuition, visualization, dreaming, music, arts, nonverbal communication, among many other functions. The black thorns in her head tell me that the Illuminati and Occult forces, have infiltrated her mind, and have full dark control over those parts of her brain. This stage set is also ritualistic — with a backdrop of white, barren trees, beneath a full moon, covered by clouds — as most Occult ceremonies take place during a full moon.
“m.A.A.d.” means “My Angel on Angel’s Dust” and it is a troubling title, due to the insinuation that the “good angel” has been turned to dust, and the “bad angel” now presides over it. Here’s what Kendrick Lamar says in this song: “I made a legion then made a promise to see you bleeding / You know the reasons but still won’t ever know my life / Kendrick a.k.a. Compton’s human sacrifice…”Am I the only one, who interprets these lyrics as: “I sold my soul to get what I want / You know why / I am sacrificing myself for some obscure purpose?” Mashing “m.A.A.d. City” with “Radioactive” makes these haunting lyrics even more compelling, as Imagine Dragons sing: “This is it, the Apocalypse… Welcome to the New Age.” The fact that they’re all wearing white, on a white stage, with 10 light pillars behind them, 8 lights on each pillar, and 8 smoke billows is also important to consider. 8 is a mystical number, as it figuratively depicts infinity. It has ancient religious applications, but in Christianity, Revelations claim the Anti-Christ to be the 8th King. In the Occult, there are 8 Wiccan Sabbats, festivals, seasons, and spokes in the Wheel of the Year. The number 10 is also crucial, and we will see it appear in other performances. 10 is an even natural number, and is expressed as “X” or “+” in both Roman and Chinese numeral systems. There are 10 Commandments, 10 plagues, 10 Martyrs, 10 days of repuntance, 10 lost tribes of Israel, 10 Sephirot in the Kabbalistic Tree of Life; and 10 primordial elements or fundamental principles of Creation: Heaven, Earth, Chaos, Void, Light, Darkness, Wind, Water, Day, and Night (also Bereshit – or pasha). The Illuminati have 10 Degrees (7 standard and 3 mystery ones), thanks to Pythagoras, who deemed 10 to be a divine number. For the Illuminati, the numbers 1, 2, 3, 4, add up to 10 to form the divine triangle “tetractys”, which embodies the 4 elements, and the mystical 5th essence, known as “quintessence.” Considering the importance of such numbers to Illuminati and dark magic practitioners, is it only a coincidence that they’re prominently featured on stage? The most obvious ceremonial aspect of this performance, is that Imagine Dragons and Kendrick Lamar cover themselves in red paint! They literally look like murderers, or sacrificial lambs! If singing about human sacrifice, the end of the world, and welcoming a “new age” — while splattering “blood” everywhere — is not indicative of a Satanic blood ritual then I don’t know what is…
We have arrived at the world’s most controversial Illuminati celebrity couple, Beyonce and Jay Z… Beyonce begins by sitting on a chair, legs open, with 10 white light fixtures around her in a semi-circle, while the spotlights on her body change from blue to red. We once again see the number 10, as well as the Illuminati programming colors — black, white, red and blue. Beyonce has shed her white gown, and has replaced it with a revealing black corset, which makes her torso look caged and bound. Her wet hair is done on purpose: our current age of Pisces is identified with water, and in Satanism, water is the element of Leviathan. It is a period of “evil” wherein the “dark side” of mind-controlled civilization can flourish, which this performance perpetuates, by incorporating the programming colors of red and blue. Almost every major religion’s “Mother Goddesses” (both good and evil) are associated with water — in the form of water snakes, hydras, mermaids, or undines — which is embodied by Beyonce’s slithering and writhing. In Occult practices, water is an essential element for witching, as it represents the unconscious and emotional, though it physically interacts with the senses. The alchemical symbol for water is a reversed pyramid (represented by the chalice in Occult rituals), which is a symbol of the female reproductive organs. Beyonce’s incessant genital fondling pays homage to the feminine chalice, and the element of water, as she physically channels a dark undine spirit. She and Jay Z repeatedly make the hand sign for “666” (index finger and thumb forming a circle, remaining 3 fingers are outstretched). Beyonce also does a modified sign of the cross, where she uses one finger on her left hand to touch her forehead, heart, and shoulders, then proceeds to touch her genitals. The forehead and chest are touched twice, symbolizing the inversion of the cross, while the shoulders signify her power. Her use of one finger on the left hand is also noteworthy, as the “left-hand path” is a branch of witchcraft that deals with Luciferianism and Satanism. After all, the word “sinister” is Latin for left-handed. The left-hand path rejects conventional religious and societal norms, and elevates the ego. Using one’s left hand to make a modified sign of the cross with the index finger is a salute to Satan, as pointing away from the body means “the sign of faith” and pointing upward is “the sign of preservation.” Beyonce not only mocks, and inverts the traditional sign of the cross in a Satanic way; but also places emphasis on sexuality via caressing her crotch, in order to connect with the emotional, unconscious water nymph she personifies.
Mary Lambert’s red dress embodies the color of sex, blood, and sacrifice. The “lady in red” is a powerful Illuminati media symbol for money, power, lust, desires, i.e. all the Luciferian earthly “temptations” that people should strive for. Macklemore is dressed in black, almost resembling a preacher, with a mother of pearl bolo tie. Mother of pearl symbolizes faith, power, protection, purity; it strengthens the environment, and cleanses the atmosphere. Mother of pearl is associated with Pisces — the sign of all zodiac signs for Illuminati, as I already mentioned. Madonna is in white, after being dressed like a witch in black, with a tilted silver crucifix on her tie, while her right hand is covered by a silver glove. Remember what I said about the “left-hand path” in Satanic beliefs? Or the significance of black-white duality, and silver Satanic programming? Remember the significance behind tilting, or inverting the cross? Why expose the left hand, but cover the right? Michael Jackson covered his right hand, and was very outspoken against the Illuminati. Could there be a connection, between Michael Jackson’s iconic symbol of rebellion, and Madonna’s hand reversal? To make matters more conspicuous, Madonna is holding a Masonic scepter, which implies that she’s a keeper of ancient secrets, and holds great power. The stage set is a church blueprint, where vague architectural features gradually morph into rainbow stained-glass rose windows. The rainbow, in New Age Satanist beliefs, is perceived to be a bridge, connecting Lucifer to mankind. Illuminati symbols gradually appear in the windows (the eye, the Occult Triquetra, the powerful hexagram, etc.), so train your eyes to recognize these signs, because they quickly morph into architectural structures. If you’re still skeptical, here’s the kicker: Madonna begins singing: “Open your heart to me.” as Queen Latifah marries 33 couples… Why 33? There are 33 steps or degrees to Masonic supreme knowledge in the Scottish Rite of Freemasonry. Dan Brown names 33 as the essential meaning of life in his book, The Lost Symbol. Newton’s (a suspected Freemason) scale deems 33 degrees to be the temperature at which water boils, which also ties into Masonic degrees: anything below 33 is frozen, and 33 levels of enlightenment must be achieved, in order for one to experience a change of state. So, there seem to be 33 coincidences too many in this performance.
Last, but not least, let’s examine the most controversial Grammy performance: Katy Perry and Juicy J’s “Dark Horse”. Juicy J is a member of Three 6 Mafia (666) and acts as an usher for the entire ceremony, maybe embodying Lucifer, as the active force behind Katy Perry’s ritual. Katy Perry is cloaked in black, and crowned with a three-horn tiara. The three-horned tiara is an ancient symbol of sovereignty, and divine celestial power, predating the Christian trinity. This type of crown is derived from the 3 horns of ancient deities, who held more power than the deities, depicted with traditional 2 bull or goat horns. The three-horned tiara can also represent Baphomet’s two goat horns and central burning torch. Katy Perry emerges out of a crystal ball, which looks much like a full moon, as a male voice says: “She cast a spell, the crystal ball evoked the spirits, she put me in a trance…. Let’s rage!” The crowd, of course, go berserk when the beat drops, prompting 4 demons to rise from behind Katy Perry, as she makes the sign of the Devil and says: “Make me your one and only.” The audience worship her, and her witchcraft, completely unaware of the evil messages on stage. The 4 demonic figures represent the 4 Horsemen of the Apocalypse (if you want to take a Biblical stance), or the 4 elements of dark magic and the Illuminati (if you prefer the Occult reading). Four humans emerge from the demons, as a dark horse with flaming eyes prances on the screens behind them, and Katy Perry removes her robe to expose a red Knights Templar cross on her chest. Let’s not forget that the Knights Templar were the original Illuminati warriors. Once again, we see the color red in the cross, as the focal point on stage. Notice that Katy Perry makes the “dark horse of the Apocalypse” bow to her, asserting her divine power. Taming the horse of the Apocalypse makes Katy Perry the Aphrodite she invokes in her song, as Aphrodite is also known as Ishtar, Semiramus, Venus (she embodies the 6th of Illuminati Degrees, and the Masonic trinity goddess) and is an important fertility goddess in Occult practices. The “black horseman” or “Dark Horse” in the Bible symbolizes famine and class division, which might suggest a continuing abundance of luxuries for the wealthy, while staples such as wheat and crops are scarce. Therefore, if the dark horse in the Biblical sense embodies famine, and class division; then Katy Perry rules over him, due to her Aphroditic fertility, wealth and power. She is “levitated” by her posse of demonic minions, which also symbolizes the surrender to evil, and the giving of one’s soul to darkness. Her broom is used as a stripper pole, rubbed and bowed to in a sexual way. She spins around it 3 times with 3 other witches, which is common practice in witchcraft, as the “Holy Trinity” is mocked and replaced by an evil one, where every rite is repeated 3 times. All these Occultist acts seem quite odd, when performed by a woman with a large cross on her chest, don’t they? That’s exactly the point: mocking organized religion, negating faith in a “good god”, and ironically appropriating religious symbols within Satanist messages. The climax of this ritualistic show occurs, when male figures disperse what looks like copper dust around her in a circle, which then bursts into flames. The red circle represents the element of fire and the direction South, and must be activated by creating a cone of power. The energy from a cone of power manifests into a rounded pyramid, or cone-like shape, which Katy Perry gestures with her body and arms. This energy can grant a desire, or be transmitted to a person, place, thing, or within the astral plane for materialization. Fire is a purification element in the Occult, and it is rumored that true powerful witches cannot burn at the stake; so maybe, Katy Perry personifies a powerful witch goddess, and has manifested some dark energy through this performance.
Other performances from the 2014 Grammy Awards also featured dark, ritualistic, apocalyptic subjects. For example, Metallica and Lang Lang’s rendition of “One” screened images of soldiers at war in black white and red, or tilted crosses in the barbed-wire trenches; and they once again donned the colors black and blue (honoring the Illuminati’s blue soldier programming).
Carole King and Sara Bareilles’ “Beautiful Brave” performance featured old maps of the world in blue. To those with army programming, hearing the words: “I want to see you be brave.” would be incredibly powerful. Both women were wearing black.
Hunter Hayes dressed in black, during his “Invisible” song, and ceremoniously quoted John Lennon: “You don’t need anybody to tell you who you are or what you are. You are what you are.” Steve Jobs: “Don’t let the noise of others’ opinions drown out your inner voice. And most important, have the courage to follow your heart and intuition.” Lady Gaga: “There really is no difference between the bully and the victim.” Johnny Depp: “As a teenager I was so insecure. I was the type of guy that never fit in because he never dared to choose. I was convinced I had no talent at all.” Sure, although his song has a positive message, the quotes used, are by prominent industry puppets, who have “sold their soul.” One of the main teachings of Luciferianism is to trust your intuition, gratify your ego as a free, creative, divine and perfect creature; thus, to consequently reap the earthly, physical pleasures of your success.
Keith Urban and Gary Clark’s “Cop Car” black-clad set looks like they’re surrounded by dozens of ritualistic candles.
Daft Punk, Pharrell Williams and Stevie Wonder’s “Get Lucky” performance featured the same rainbow-colored set, like Macklemore and Mary Lambert’s. They’re all wearing black and white, and you’ll notice the many black, white, blue and red-clothed celebrities in the audience. Stevie Wonder has had many controversial Illuminati images in his videos, while Daft Punk blatantly display themselves as the white-programmed, transhuman, genetically-superior puppet masters of the entire show. The “recording” sign in their booth makes them Big Brother figures, as Pharrell Williams’ index finger is proudly raised in the air, possibly affirming his allegiance to the Illuminati’s Satanism?
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To conclude, I will not claim to hold conclusive answers, as this post is comprised on the basis of preliminary research. However, it is an undeniable fact that the 56th Annual Grammy Awards exhibited many Satanist signs in their performances. Considering the Illuminati Luciferian controversy in the entertainment industry (which I have tried to ignore and deny for many years), after examining the symbols in these performances closely, I personally think that there are definite sinister forces at play. I will reiterate that I am not a religious believer, and am not preaching a good versus evil battle between a God and a Devil. Nonetheless, the ritualistic date of the award ceremony, the color-coded programming and subliminal messaging from these celebrities; as well as the numerous evil connotations within their performances, make it difficult to disbelieve in the Illuminati Luciferian agenda… Could it be, that forces of evil truly do govern the Illuminati-controlled entertainment industry? Have these performers sold their souls, in order to gain money, fame, power, and influence; while agreeing to perpetuate the Illuminati agenda? What do you think?
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Web Sources:
http://www.youtube.com; http://www.bavarianlegacy.tumblr.com/glossary; http://www.theforbiddenknowledge.com/hardtruth/13_33_freemason_sig.htm; http://www.theforbiddenknowledge.com/hardtruth/destruction_of_the_trade_centers.htm; http://www.cuttingedge.org/news/n1980.cfm; http://www.bibliotecapleyades.net/cienciareal/cienciareal20.htm; http://spiritualwarfare666.webs.com/Satans_Library.htm; http://armageddonconspiracy.co.uk/Illuminati-Degrees%281540971%29.htm; http://educate-yourself.org/mc/illumformula11chap.shtml; http://www.scribd.com/doc/28653056/The-Occult-Calendar; http://www.karencaston.org/upload/satanic%20and%20witch%20Calendar_%20072011%206pages.pdf;
Truth Militia 