After examining the myriad of Illuminati and Masonic elements within Bruno Mars’ Halftime Show performance, I would like to highlight some of the signs, hidden in the exclusive Super Bowl XLVIII commercials. The more I learn about the Illuminati’s Satanic affiliation, I become more convinced that the many esoteric and Luciferian messages in popular media, are not put there by accident. Rather than examining these topics through a religious lens, we can equate the evil in these symbols to “selling one’s soul” not to a literal Devil, but to the Illuminati corporate, financial and economic control over the world. Maybe that’s what the Illuminati’s Satanism represents today. But why all the Luciferian motifs? If it is true that the Illuminati believe themselves to be descendants of the fallen angels of Lucifer — and their 13 families share Biblical bloodlines — then the obscure symbols, appropriated into modern media, are derived from a long tradition of esoteric mysticism. Is it possible that such practices still exist today? To reiterate from my last post: “…February 2nd celebrates the Satanic ritual of Candlemass. Candlemass constitutes Lucifer’s illumination of the world — through the ceremonial lighting of candles from Baphomet’s torch — and opens a new breeding season for domestic and wild animals. Candlemass also observes the mass initiation of new Illuminati coveners, who would subsequently be put through series of allegiance tests; allowing only for the successful recruits to receive bountiful rewards for their servitude.” Is it all just another coincidence, or does Satanism truly govern the Powers that Be, as well as all their covert imagery?
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One commercial stood out in its celebration of a new breeding season, while honoring another ancient Illuminati symbol: the bull. Notice the brown circle, over the bull’s left eye in this Chevrolet Silverado ad? You may already know that emphasis on the left eye, is used by the Powers that Be to represent the all-seeing eye (the eye of Horus, found on the $1 US bill, and in hundreds of popular media images). You will also see a beam of sunlight illuminate the rancher cowboy’s left eye, which of course, symbolizes enlightenment. The bull is referred to as an “eligible bachelor”, which exemplifies the Candlemass start of a new breeding season.
The bull has been worshiped as a sacred animal for thousands of years, as far back as the Stone and Bronze Ages. It was depicted as the sign of the vernal equinox, and personifies the constellation Taurus. In ancient Egypt and Mesopotamia the bull (particularly his horns) represented power, royalty, fertility, and divinity, which all became founding designs for modern-day crowns and tiaras. The entire Minoan civilization was focused on bull idolization, and birthed the myth of the Cretan Minotaur. The Roman cult of Mithras also praised and sacrificed bulls, while the Biblical story of the Golden Calf used bulls to criticize idol worship. The more sinister application of bull imagery today can be found in the sign of the Moloch, or Ba’al, invoked by the hand gesture “Devil horns.” The Moloch and Ba’al are ancient fire deities, often depicted as bulls. It is said that the Illuminati worship Moloch/Ba’al at their secret Bohemian Grove ceremonies, and offer him human sacrifices. Meanwhile, the owl representation of Moloch can be found in hundreds of Illuminati logos, marks, designs and in the media. The hand gesture “Devil horns” summons, and pays homage to those Illuminati deities, both of whom have been deemed demonic by the Catholic Church. It is no coincidence, then that market trends are identified as a bull (for increase in the market) and a bear (for decrease in trends). It also cannot be a coincidence that a number of commercials during the Super Bowl also featured bears… Chobani, Carmax, Labatt Blue, Beats by Dre, and a white owl on a shelf in Butterfingers’ ad:
Are these bears telling us to prepare for another financial market crash? Ellen Degeneres featured a bull, a dog, an owl, 3 pigs, 3 bears, and a big bad wolf, in her “Beats by Dre” commercial:
The owl’s symbolism is also of mythical and mysterious origins, as it represents wisdom and enlightenment, as well as death and the Occult. It’s a very important Masonic figure, and is even concealed in the aerial view of Washington D.C.’s Capitol Hill. The owl is sometimes depicted as Moloch, but to the Masons, it is the patron bird of their trinity goddess (Semiramus, Isis, Ishtar, Aphrodite, Venus, Columbia, etc.) In the Occult, owls represent the demon Lilith, clairvoyance and foresight, as well as the ability to see through darkness. Bohemian Grove contains a large owl statue, used as the central point for the Illuminati’s dark rituals. The 3 little pigs and 3 bears are also symbolic, as they represent the Illuminati and Masonic number 33. The pigs, holding poker cards is also noteworthy, as pigs were a popular metaphorical representation of politicians, or men in power, who hold the winning cards of global domination. Dogs are powerful symbols of Monarch mind control programming, where positive and negative reinforcements are used, in the same ways Pavlov conditioned his dogs. The programming teaches Illuminati allegiance, co-dependency, power, sexual dominance, and territorial or protective behavior towards the Handler(s), in exchange for rewards. A wolf represents the same programming, especially because the Illuminati are described as “wolves among sheep.” The use of red in these animals’ outfits is also noteworthy, as it depicts blood sacrifice, fire and sex programming.
The popularity of puppies in commercials this year is strange too, considering Carmax and Budweiser both came out with viral ads, featuring these small furry friends. Maybe to promote the Puppy Bowl? Or maybe to signify the beginning stages of young “dog” programming?
The KIA Soul Canadian Super Bowl commercial featured three hamsters, “selling their soul” and transforming from chubby, to thin; thus becoming popular and desired. The commercial ends with the three hamsters, as famous celebrities, dressed in black suits and sunglasses, to attend a red carpet event. Oddly, the building number is 607, which adds up to another sacred Illuminati and Occult number: 13. Why are 3 hamsters significant, you might ask? A trinity is sacred in many world religions, particularly in Masonic and Illuminati practices and beliefs, as well as in Occult circles via the Triquetra (hence the persistent pyramid symbolism). Hamsters, as well as all rodents are significant animals in genetic testing and bioengineering. Transhumanism is one of the ultimate goals for TPTB, and is personified by the hamsters in this commercial, which aid in genetically engineering a master human race. Let’s not forget that the entire commercial plays a Lady GaGa song, who is a renowned Illuminati music industry puppet.
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Moving on to car commercials. Let’s begin with Subaru, who also used a family of Golden Labs, and had the male dog check out a “sexy” French Poodle at a stop light. This is symptomatic of more dog programming, where males are taught to be dominant, powerful leaders, etc.; while females are conditioned to be promiscuous, territorial, and aggressive “bitches.”
Dog symbolism continues in the acclaimed Budweiser “puppy love” commercial, while Volkswagen appropriates the image of a terrier to replace the classic “Indian” television test pattern. The number “30” in the traditional test pattern is replaced by an exclamation mark, encased within a pyramid. What could this mean, other than “be aware, you are being mind-controlled with dog programming!”?
Audi’s supposed humorous ad, also sustains the same theme of genetic engineering and dog programming, by depicting a hybrid Doberman-Chihuahua gone wild. Audi’s ad carries an apocalyptic tone, as does Maserati’s dramatic, aggressive strike-force approach to competition in their Ghibli Super Bowl commercial.
Jaguar say “it’s good to be bad” in their celebrity English villain commercial, while the Ford fusion ad plays on the duality theme with Rob Riggle and James Franco. The duplicity within Rob Riggle (represented as himself and as James Franco) plays on alter-ego Monarch programming; where the James Franco alter-ego possesses much-desired supernatural powers, good looks and material fortune. Rob Riggle is seated with a dog, which returns us to the dog programming symbolism: he, as well as the viewers, are being conditioned to want what James Franco embodies. Rather than seated with a small dog, Franco is next to a tiger, which is a recurring symbol of Illuminati and cat programming, where participants become independent, ego-maniacal, sexually-charged predators. Once Riggle exits his home, we see another sum of 13, depicted by a clear “715” house number.
Riggle’s home contains a horse statuette, as well as horned Japanese-style armor with Anubis sculptural motifs. Franco’s home is littered with the same statuettes, however bigger and more extravagant, with an added figurine of Hermes. This, of course, is no coincidence, as James Franco’s alter-ego represents the outcome of having “sold one’s soul” because Hermes is associated with Occult Illuminati tradition. They believe Hermes to be the original omnipotent practitioner of magic, medicine, divination, and astronomy, hence the name for Occult sciences: Hermetic sciences.
Volkswagen also featured a commercial, where angels “shoot rainbows” out of their behinds — remember the Luciferian rainbow and Illuminati fallen angel reference from my last Super Bowl post? The Illuminati love to take sacred symbols like angels and rainbows, and to appropriate them into Satanic messages. Volkswagen and TPTB have been intertwined since Nazi Germany, which is why their sacrilegious use of angels and rainbows contains powerful Illuminati undertones.
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Microsoft’s “Empowering” commercial is the perfect example of transhumanism, which is one of the Illuminati’s ultimate hopes for mankind. There is nothing wrong with developing technology to help people; however, the idea of transhumanism embodies aspects of genetic engineering and the merging of technology with human bodies; in order to create a superior master race of super-soldiers, impervious to flaws, diseases, even death.
Doritos chips embody the Illuminati pyramid in their shape, and push the power of the Masonic Mother Goddess in the form of a mermaid, during their “For the Bold” Super Bowl ad. Mermaids are mythical man-slaying nymphs, worshiped in Haitian voodoo as “Simbi”, and found in numerous Illuminati coats of arms and logos. The mermaid is also thought to be a symbol of the Age of Aquarius, so her death by the hands of Doritos puppets foretells the Illuminati’s dominion over the coming millennium. Doritos have this Mother Goddess symbol succumb to brainwashed chips-munching men, who kill her and put her on display as a trophy. It is an unusual twist of events, which takes the feminine goddess out of the intangible, mystical world, and puts her into the hands of men; who are conditioned to be “bold”, unpredictable, and murderous, by Doritos chips. In a way, this ad mocks the Illuminati mermaid symbol; but it also glorifies her as something to be captured, preserved, and displayed for everyone to see. The implied consequence of a mermaid body on display is praise, glory and the idolization of this Occult goddess, so the moral is: whether you worship a mermaid, or eat Doritos chips and kill her, you’re perpetuating the Illuminati agenda either way.
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The most-discussed commercial was undoubtedly the Bud Light “Up for Whatever” ad.
The beginning 20 seconds are an exact image of the consistent “sell your soul” theme in this year’s Super Bowl advertisements. A beautiful woman in black approaches an unsuspecting man, offering him a Bud Light, in exchange for his compliance with “whatever happens next.” Using sex, substances, and the promise of something exciting, are classic and successful Illuminati bribery techniques. Obviously, Ian Rappaport agrees, and enters a red limousine, filled with beautiful, drunken bachelorette party girls. The Illuminati programming colors of black, white, red and blue permeate this entire commercial, making an obvious mind control statement.
Blue can contain an entire encoded system, and normally represents military, army, and royal “blue blood” conditioning. Black, white, red and blue are very symbolic colors in Masonic principles as well. Blue is the only color other than white, which can be used in a Master Mason’s Lodge for decoration, as it represents nobility and immortality. In the Occult, blue signals the arrival of Lucifer and his demons. The color red signifies witchcraft programming, blood, war, sacrifice, sex and fire, which acts as the “evil twin” alter-ego of blue programming. Therefore, using the two colors red and blue together symbolizes the Illuminati concept of duality. The red limousine can be seen as a sexual chariot of sorts, whereas the blue pocket square Ian Rappaport is given — by a beautiful celebrity sex symbol — identifies him as a regal soldier.
We see many references to the Illuminati and Freemason trinity in this commercial, through another modified TV test signal (introducing the commercial and its extended scenes), a blue door number behind Don Cheadle, and service elevator markings.
The commercial’s Illuminati alter-ego message gets extremely bold when Ian Rappaport is introduced to his date’s identical twin, then is taken to a party, where everyone is a twin… Duality both literally, and metaphorically, is more than obvious here, due to blue and red imagery, and the Illuminati Gemini obsession. Monarch mind control “twin” programming is a frequent technique to teach children co-dependency, psychic bonding, and alter-ego development. Twin subjects are also taught the willingness to betray, sacrifice and manipulate their twin, thus honing their Gemini split-personality system.
Ian Rappaport proceeds to play table tennis with a satirized Arnold Schwarzenegger in a blue room, (adorned with regalia of the militarization of sport) filled with an audience, dressed in blue and white. Recall the two colors of Master Mason Lodge decoration: blue and white. Schwarzenegger married a Kennedy, and “beneath the surface of Arnold’s facade lies an intricate web of evil including Nazi war criminals, occult rituals, a Rothschild rendezvous, a friendship with once head of the UN and known Nazi, Kurt Waldheim, Warren Buffett and many others” – Alex Jones. Arnold has been rumored to belong to the Skull and Bones secret society, and to have been involved in numerous Illuminati sex slave rituals. His role in this commercial is simply a twisted mockery of his programming, where TPTB facetiously proclaim their complete control and dominance over him.
The ad concludes with the mirrored walls of illusion collapsing, to reveal the blue and red One Republic stage.
The name One Republic is indicative of New World Order single-government, while the lyrics to their “Counting Stars” song lament their Illuminati subservience: “Old, but I’m not that old / Young, but I’m not that bold / And I don’t think the world is sold / I’m just doing what we’re told / I feel something so right / By doing the wrong thing / And I feel something so wrong / By doing the right thing / I couldn’t lie, couldn’t lie, couldn’t lie / Everything that kills me makes me feel alive / Lately I been, I been losing sleep / Dreaming about the things that we could be / But baby, I been, I been prayin’ hard / Said no more counting dollars / We’ll be counting stars.” What perfect lyrics to accompany a commercial, about selling your soul to the Illuminati agenda! Of course, the subliminal messaging would not be complete, without Devil horns/Moloch salutes, cleverly placed behind and around the Bud Light logo. The caption: “Are you #upforwhatever?” dares you to blindly follow these mind-controlled Illuminati drones to “the best night of your life”, as Rappaport exclaims before the screen goes dark… It’s the funnest way to sell your soul!
You can see the Devil horns during the twin party, in an extended cut of the commercial. During the extended version of One Republic’s performance, you can also notice the extended index finger Luciferian salutes by the lead singer, and the many Moloch horns in the audience.
It’s not popular knowledge that the Budweiser family have a long, loyal history of Illuminati affiliation. The Busch’s are descendants of German Illuminati Skull and Bones members (similar to Arnold Schwarzenegger), and have held strong ties with current Illuminati families. There have been numerous suicide and murder mysteries, shrouding the Busch family, which affirms their sacrificial Illuminati connection. If you would like to find out more, do some basic research on the Budweiser logo, so you can see the concealed mind-control elements and Illuminati symbols for yourself.
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As explained by the examples above, XLVIII Super Bowl commercials shamelessly threw Illuminati mind control methodology in the faces of 111.5 million viewers worldwide. Their programming signs are so blatant, invasive, and disturbing, that watching an hour of television — without noticing such audacious brainwashing — is impossible. The symbols in this year’s commercials presented not only the prevalence of Monarch programming, but the Satanic Illuminati agenda (in the honoring of Candlemass) as well. It is no coincidence that such heavily-charged commercials were featured during the most-watched sporting event in North America. Viewers’ energies were open, and ready to receive whatever is thrust upon them; while their distracted, incapacitated (for the most part) brains were susceptible to all types of subliminal messages. The Super Bowl is a ritual to honor the Illuminati, along with the powers that govern them. The commercials, therefore, are grandiose and special 30 second to 1.5 minute windows of opportunity for TPTB to insert all their sinister, subliminal mind control messages into. If you wanted to make the general population serve you, and your corporations, to buy your products and to abide by your ideals, would you not do the same?
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Knowing what you now know, watch another plethora of symbols in this Bud Light Platinum 2013 commercial:
And by the way, what on earth is this?!
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Web Sources:
www.youtube.com; http://alpha411.blogspot.ca/2010/12/budweiser-death-illuminati-cover-up.html; http://beforeitsnews.com/alternative/2011/02/illuminati-symbolism-rife-in-alcohol-392794.html?currentSplittedPage=2; http://www.richardcassaro.com/sinister-corporate-symbols; http://hollywoodilluminati.com/2012/02/06/madonnas-nfl-satanic-ritual-disguised-in-the-half-time-show/; http://theocculttruth.com/index.php?p=1_104; http://www.witchology.com/contents/february/imbolc_static.php; http://www.bibliotecapleyades.net/sociopolitica/atlantean_conspiracy/atlantean_conspiracy39.htm; http://www.sacred-texts.com/eso/nop/nop19.htm; http://www.whale.to/c/churches_ill.html; http://elle64.hubpages.com/hub/The-Secret-Society-Called-the-Illuminati; http://www.masonicworld.com/education/files/apr02/include/colour_symbolism_in_freemasonry.htm; http://www.eliteagenda.com/eareports/the-use-of-colors-in-popular-images-and-their-hidden-meaning/; http://www.infowars.com/print/nwo/exclusive_arnold.htm;
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